103
Ambisonics A
This saves the signals from Inputs 1–4 as a 4-channel polyphonic le
without converting them to an Ambisonic B-format. The monitoring sig-
nal is converted to Ambisonic B-format and then to an ordinary stereo
signal.
Trim
Ambisonics
B-format
converter
Ambisonics
Stereo monitor
converter
Input
1-4
Track
1-4
Track
L/R
Format: Ambisonics A
NOTE
•
• The sampling rate can only be set to 192 kHz when Ambisonic Mode is
Off.
•
• Ambisonic les are saved as 4-channel polyphonic les, not as mono or
stereo les.
•
• The following parameters cannot be set for tracks using Ambisonic Mode
input.
•
– Phase Invert
•
– Delay
•
– Pan
•
– Input Link
•
– Trim Link
•
• Files recorded when Ambisonic format is not off will play back as Ambi-
sonic audio sources rather than ordinary 4-channel polyphonic les. For
this reason, these tracks cannot the panned or muted during playback
•
• This cannot be used with the Auto Mix function.
HINT
•
• Ambisonic can also be set during use as an audio interface (Multi Track).
•
• Even when Ambisonic format is not Off, PFL buttons can be selected to
monitor their track input sounds. When Monitor is set to PFL, sounds can
be monitored before they are converted to Ambisonic B-format. When
PFL mode is set to SOLO, sounds can be monitored after they are con-
verted to Ambisonic B-format.
•
• The following parameters that can be set on the PFL screen are linked for
Ambisonic input tracks.
•
– Source
•
– Trim
•
– HPF
•
– Limiter
•
– Phantom
•
– Fader
•
– PFL Monitor