○○○○○○○○○○○○○○○○○○○○○○
Edit Sound 2•43
○○○○○○○○○○○○○○○○○○○○○○
Edit Sound 2•43
RESONANCE
Resonance enhances the frequencies in close
proximity of the Cutoff Frequency, rendering the
filter curves more complex:
Resonance
Resonance was a very typical feature of classic
analog synthesizers.
As an example, listen to the Sound “Resonance
(102-2)”.
FILTERS
The action of the filters on the sound is repre-
sented by curves:
Low Pass (attenuates
the high end frequen-
cies
).
High Pass (attenuates
the low end frequencies
).
Band Pass (attenuates
the frequencies above
and below the C.F.).
Parametric Boost (en-
hances the frequencies
around the Cutoff Fre-
quency).
Parametric Cut (attenu-
ates the frequencies
around the Cutoff Fre-
quency).
The slope of these curves is determined by the
attraction capacity of the “poles”. The PS/GPS
Series can have two 2-pole filters connected in
parallel (Dual 1, Dual 3 Algorithms), or one 4-
pole filter, corresponding to two 2-pole filters con-
nected in series (Dual 2, Dual 4 Algorithms). A 4-
pole filter creates a clearer slope and conse-
quently a fuller and more aggressive sound.
To obtain a 4-pole Filter:
Programme identical parameter values for the
“Filter 1” and “Filter 2” editors of the Dual 2 or
Dual 4 Algorithms.
Hz
dB
Hz
dB
Hz
dB
Hz
dB
Hz
dB
Hz
dB
RESONANCE
Resonance enhances the frequencies in close
proximity of the Cutoff Frequency, rendering the
filter curves more complex:
Resonance
Resonance was a very typical feature of classic
analog synthesizers.
As an example, listen to the Sound “Resonance
(102-2)”.
FILTERS
The action of the filters on the sound is repre-
sented by curves:
Low Pass (attenuates
the high end frequen-
cies
).
High Pass (attenuates
the low end frequencies
).
Band Pass (attenuates
the frequencies above
and below the C.F.).
Parametric Boost (en-
hances the frequencies
around the Cutoff Fre-
quency).
Parametric Cut (attenu-
ates the frequencies
around the Cutoff Fre-
quency).
The slope of these curves is determined by the
attraction capacity of the “poles”. The PS/GPS
Series can have two 2-pole filters connected in
parallel (Dual 1, Dual 3 Algorithms), or one 4-
pole filter, corresponding to two 2-pole filters con-
nected in series (Dual 2, Dual 4 Algorithms). A 4-
pole filter creates a clearer slope and conse-
quently a fuller and more aggressive sound.
To obtain a 4-pole Filter:
Programme identical parameter values for the
“Filter 1” and “Filter 2” editors of the Dual 2 or
Dual 4 Algorithms.
○○○○○○○○○○○○○○○○○○○○○○
Edit Sound 2•43
○○○○○○○○○○○○○○○○○○○○○○
Edit Sound 2•43
RESONANCE
Resonance enhances the frequencies in close
proximity of the Cutoff Frequency, rendering the
filter curves more complex:
Resonance
Resonance was a very typical feature of classic
analog synthesizers.
As an example, listen to the Sound “Resonance
(102-2)”.
FILTERS
The action of the filters on the sound is repre-
sented by curves:
Low Pass (attenuates
the high end frequen-
cies
).
High Pass (attenuates
the low end frequencies
).
Band Pass (attenuates
the frequencies above
and below the C.F.).
Parametric Boost (en-
hances the frequencies
around the Cutoff Fre-
quency).
Parametric Cut (attenu-
ates the frequencies
around the Cutoff Fre-
quency).
The slope of these curves is determined by the
attraction capacity of the “poles”. The PS/GPS
Series can have two 2-pole filters connected in
parallel (Dual 1, Dual 3 Algorithms), or one 4-
pole filter, corresponding to two 2-pole filters con-
nected in series (Dual 2, Dual 4 Algorithms). A 4-
pole filter creates a clearer slope and conse-
quently a fuller and more aggressive sound.
To obtain a 4-pole Filter:
Programme identical parameter values for the
“Filter 1” and “Filter 2” editors of the Dual 2 or
Dual 4 Algorithms.
Hz
dB
Hz
dB
Hz
dB
Hz
dB
Hz
dB
Hz
dB
RESONANCE
Resonance enhances the frequencies in close
proximity of the Cutoff Frequency, rendering the
filter curves more complex:
Resonance
Resonance was a very typical feature of classic
analog synthesizers.
As an example, listen to the Sound “Resonance
(102-2)”.
FILTERS
The action of the filters on the sound is repre-
sented by curves:
Low Pass (attenuates
the high end frequen-
cies
).
High Pass (attenuates
the low end frequencies
).
Band Pass (attenuates
the frequencies above
and below the C.F.).
Parametric Boost (en-
hances the frequencies
around the Cutoff Fre-
quency).
Parametric Cut (attenu-
ates the frequencies
around the Cutoff Fre-
quency).
The slope of these curves is determined by the
attraction capacity of the “poles”. The PS/GPS
Series can have two 2-pole filters connected in
parallel (Dual 1, Dual 3 Algorithms), or one 4-
pole filter, corresponding to two 2-pole filters con-
nected in series (Dual 2, Dual 4 Algorithms). A 4-
pole filter creates a clearer slope and conse-
quently a fuller and more aggressive sound.
To obtain a 4-pole Filter:
Programme identical parameter values for the
“Filter 1” and “Filter 2” editors of the Dual 2 or
Dual 4 Algorithms.
To Next Page
Loading...
Need help?
General
