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2•14 Reference Guide
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2•14 Reference Guide
PERMANENT ESCAPE WITHOUT SAVING
To escape EDIT SOUND permanently, use the
EXIT option, (F6), in the main Edit Sound menu.
An “Are you sure” dialog appears requesting con-
firmation of the Exit command. Further con-
firmation of the Exit command with Enter escapes
EDIT SOUND permanently and cancels all modi-
fications made to the Sound prior to escaping the
Edit.
To escape permanently without losing the modi-
fications, use the SAVE option, (F8), explained
under the section entitled “Storing Sounds” to-
wards the end of this chapter.
THE EDIT SOUND MAIN MENU
The configuration of the Editors changes accord-
ing to the Algorithm selected, but the basic func-
tions remain the same.
Waveform Selects the Wave sample (the fun-
damental waveform).
Volume Volume of the Sound. Some situa-
tions also include a Balance editor.
Amplitude Varies the sound’s volume over time.
envelope Can be defined by Key On and Key
Off Envelopes, a Tracking curve and
some situations include an Env. Bal-
ance editor.
Filter Modifies the Sound’s timbre, attenu-
ating or enhancing certain frequen-
cies, such as in an equalizer. Can
be defined by Key On and Key Off
Filter Envelopes, Filter CutOff track-
ing and Filter Envelope tracking
curves.
Pitch envelope Variation of the Sound’s Pitch over
time. Can be defined by Key On and
Key Off Pitch envelopes and a Track-
ing curve.
LFO Low Frequency Oscillator to provide
Modulation. Generates cyclic varia-
tions in the amplitude or in the cutoff
frequency of the filters.
Pan Position of the Sound within the
Stereophonic panorama. It is possi-
ble to program the Key On and Key
Off Pan envelope and the Tracking
curve.
PERMANENT ESCAPE WITHOUT SAVING
To escape EDIT SOUND permanently, use the
EXIT option, (F6), in the main Edit Sound menu.
An “Are you sure” dialog appears requesting con-
firmation of the Exit command. Further con-
firmation of the Exit command with Enter escapes
EDIT SOUND permanently and cancels all modi-
fications made to the Sound prior to escaping the
Edit.
To escape permanently without losing the modi-
fications, use the SAVE option, (F8), explained
under the section entitled “Storing Sounds” to-
wards the end of this chapter.
THE EDIT SOUND MAIN MENU
The configuration of the Editors changes accord-
ing to the Algorithm selected, but the basic func-
tions remain the same.
Waveform Selects the Wave sample (the fun-
damental waveform).
Volume Volume of the Sound. Some situa-
tions also include a Balance editor.
Amplitude Varies the sound’s volume over time.
envelope Can be defined by Key On and Key
Off Envelopes, a Tracking curve and
some situations include an Env. Bal-
ance editor.
Filter Modifies the Sound’s timbre, attenu-
ating or enhancing certain frequen-
cies, such as in an equalizer. Can
be defined by Key On and Key Off
Filter Envelopes, Filter CutOff track-
ing and Filter Envelope tracking
curves.
Pitch envelope Variation of the Sound’s Pitch over
time. Can be defined by Key On and
Key Off Pitch envelopes and a Track-
ing curve.
LFO Low Frequency Oscillator to provide
Modulation. Generates cyclic varia-
tions in the amplitude or in the cutoff
frequency of the filters.
Pan Position of the Sound within the
Stereophonic panorama. It is possi-
ble to program the Key On and Key
Off Pan envelope and the Tracking
curve.
○○○○○○○○○○○○○○○○○○○○○○
2•14 Reference Guide
○○○○○○○○○○○○○○○○○○○○○○
2•14 Reference Guide
PERMANENT ESCAPE WITHOUT SAVING
To escape EDIT SOUND permanently, use the
EXIT option, (F6), in the main Edit Sound menu.
An “Are you sure” dialog appears requesting con-
firmation of the Exit command. Further con-
firmation of the Exit command with Enter escapes
EDIT SOUND permanently and cancels all modi-
fications made to the Sound prior to escaping the
Edit.
To escape permanently without losing the modi-
fications, use the SAVE option, (F8), explained
under the section entitled “Storing Sounds” to-
wards the end of this chapter.
THE EDIT SOUND MAIN MENU
The configuration of the Editors changes accord-
ing to the Algorithm selected, but the basic func-
tions remain the same.
Waveform Selects the Wave sample (the fun-
damental waveform).
Volume Volume of the Sound. Some situa-
tions also include a Balance editor.
Amplitude Varies the sound’s volume over time.
envelope Can be defined by Key On and Key
Off Envelopes, a Tracking curve and
some situations include an Env. Bal-
ance editor.
Filter Modifies the Sound’s timbre, attenu-
ating or enhancing certain frequen-
cies, such as in an equalizer. Can
be defined by Key On and Key Off
Filter Envelopes, Filter CutOff track-
ing and Filter Envelope tracking
curves.
Pitch envelope Variation of the Sound’s Pitch over
time. Can be defined by Key On and
Key Off Pitch envelopes and a Track-
ing curve.
LFO Low Frequency Oscillator to provide
Modulation. Generates cyclic varia-
tions in the amplitude or in the cutoff
frequency of the filters.
Pan Position of the Sound within the
Stereophonic panorama. It is possi-
ble to program the Key On and Key
Off Pan envelope and the Tracking
curve.
PERMANENT ESCAPE WITHOUT SAVING
To escape EDIT SOUND permanently, use the
EXIT option, (F6), in the main Edit Sound menu.
An “Are you sure” dialog appears requesting con-
firmation of the Exit command. Further con-
firmation of the Exit command with Enter escapes
EDIT SOUND permanently and cancels all modi-
fications made to the Sound prior to escaping the
Edit.
To escape permanently without losing the modi-
fications, use the SAVE option, (F8), explained
under the section entitled “Storing Sounds” to-
wards the end of this chapter.
THE EDIT SOUND MAIN MENU
The configuration of the Editors changes accord-
ing to the Algorithm selected, but the basic func-
tions remain the same.
Waveform Selects the Wave sample (the fun-
damental waveform).
Volume Volume of the Sound. Some situa-
tions also include a Balance editor.
Amplitude Varies the sound’s volume over time.
envelope Can be defined by Key On and Key
Off Envelopes, a Tracking curve and
some situations include an Env. Bal-
ance editor.
Filter Modifies the Sound’s timbre, attenu-
ating or enhancing certain frequen-
cies, such as in an equalizer. Can
be defined by Key On and Key Off
Filter Envelopes, Filter CutOff track-
ing and Filter Envelope tracking
curves.
Pitch envelope Variation of the Sound’s Pitch over
time. Can be defined by Key On and
Key Off Pitch envelopes and a Track-
ing curve.
LFO Low Frequency Oscillator to provide
Modulation. Generates cyclic varia-
tions in the amplitude or in the cutoff
frequency of the filters.
Pan Position of the Sound within the
Stereophonic panorama. It is possi-
ble to program the Key On and Key
Off Pan envelope and the Tracking
curve.
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