GEM GPS3600 User Manual

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Edit Sound 2•35
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Edit Sound 2•35
AMPLITUDE S.O.1 & S.O.2: Applies Lfo to the
Amplitude to produce Tremolo effects. This pa-
rameter determines the modulation depth of the
LFO on the Amplitude (the output level).
The positive and negative values indicate an op-
posed sense of increase/decrease of the Tremolo
output level (the choice between positive or nega-
tive values give perfectly equivalent results).
Higher positive or negative values increase the
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
TOUCH AMPL. S.O.1 & S.O.2: Links the depth
of the Amplitude modulation to Aftertouch pres-
sure, permitting you to control of the amount of
Tremolo by varying the aftertouch pressure ap-
plied to the keys.
The “Delay” parameter is ignored when pressure
is applied to the keys and the oscillation starts
immediately.
The positive and negative values indicate an op-
posed sense of increase/decrease of the Tremolo
output level (the choice between positive or nega-
tive values give perfectly equivalent results).
Higher positive or negative values increase the
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
FILTER S.O.1 & S.O.2: Applies Lfo to the Cutoff
Frequency of the Filter (1 or 2) to produce a “Wha-
Wha” effect, caused by the “opening” and “clos-
ing” of the Filter. This parameter determines the
modulation depth of the Lfo on the Cutoff Fre-
quency.
The positive and negative values indicate an op-
posed sense of “opening” and “closing”, other-
wise, the choice between a positive or negative
value give perfectly equivalent results. Higher
positive or negative values increase the Filter
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
TOUCH FILT S.O.1 & S.O.2: Links the depth of
the Filter modulation to Aftertouch pressure. By
applying aftertouch pressure to the keys, the “De-
lay” parameter is ignored and the oscillation starts
immediately (toggles between open and closed
filter).
The positive and negative values indicate an op-
posed sense of “opening” and “closing”, other-
wise, the choice between a positive or negative
value give perfectly equivalent results. Higher
positive or negative values increase the Filter
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
AMPLITUDE S.O.1 & S.O.2: Applies Lfo to the
Amplitude to produce Tremolo effects. This pa-
rameter determines the modulation depth of the
LFO on the Amplitude (the output level).
The positive and negative values indicate an op-
posed sense of increase/decrease of the Tremolo
output level (the choice between positive or nega-
tive values give perfectly equivalent results).
Higher positive or negative values increase the
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
TOUCH AMPL. S.O.1 & S.O.2: Links the depth
of the Amplitude modulation to Aftertouch pres-
sure, permitting you to control of the amount of
Tremolo by varying the aftertouch pressure ap-
plied to the keys.
The “Delay” parameter is ignored when pressure
is applied to the keys and the oscillation starts
immediately.
The positive and negative values indicate an op-
posed sense of increase/decrease of the Tremolo
output level (the choice between positive or nega-
tive values give perfectly equivalent results).
Higher positive or negative values increase the
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
FILTER S.O.1 & S.O.2: Applies Lfo to the Cutoff
Frequency of the Filter (1 or 2) to produce a “Wha-
Wha” effect, caused by the “opening” and “clos-
ing” of the Filter. This parameter determines the
modulation depth of the Lfo on the Cutoff Fre-
quency.
The positive and negative values indicate an op-
posed sense of “opening” and “closing”, other-
wise, the choice between a positive or negative
value give perfectly equivalent results. Higher
positive or negative values increase the Filter
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
TOUCH FILT S.O.1 & S.O.2: Links the depth of
the Filter modulation to Aftertouch pressure. By
applying aftertouch pressure to the keys, the “De-
lay” parameter is ignored and the oscillation starts
immediately (toggles between open and closed
filter).
The positive and negative values indicate an op-
posed sense of “opening” and “closing”, other-
wise, the choice between a positive or negative
value give perfectly equivalent results. Higher
positive or negative values increase the Filter
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
○○○○○○○○○○○○○○○○○○○○○○
Edit Sound 2•35
○○○○○○○○○○○○○○○○○○○○○○
Edit Sound 2•35
AMPLITUDE S.O.1 & S.O.2: Applies Lfo to the
Amplitude to produce Tremolo effects. This pa-
rameter determines the modulation depth of the
LFO on the Amplitude (the output level).
The positive and negative values indicate an op-
posed sense of increase/decrease of the Tremolo
output level (the choice between positive or nega-
tive values give perfectly equivalent results).
Higher positive or negative values increase the
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
TOUCH AMPL. S.O.1 & S.O.2: Links the depth
of the Amplitude modulation to Aftertouch pres-
sure, permitting you to control of the amount of
Tremolo by varying the aftertouch pressure ap-
plied to the keys.
The “Delay” parameter is ignored when pressure
is applied to the keys and the oscillation starts
immediately.
The positive and negative values indicate an op-
posed sense of increase/decrease of the Tremolo
output level (the choice between positive or nega-
tive values give perfectly equivalent results).
Higher positive or negative values increase the
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
FILTER S.O.1 & S.O.2: Applies Lfo to the Cutoff
Frequency of the Filter (1 or 2) to produce a “Wha-
Wha” effect, caused by the “opening” and “clos-
ing” of the Filter. This parameter determines the
modulation depth of the Lfo on the Cutoff Fre-
quency.
The positive and negative values indicate an op-
posed sense of “opening” and “closing”, other-
wise, the choice between a positive or negative
value give perfectly equivalent results. Higher
positive or negative values increase the Filter
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
TOUCH FILT S.O.1 & S.O.2: Links the depth of
the Filter modulation to Aftertouch pressure. By
applying aftertouch pressure to the keys, the “De-
lay” parameter is ignored and the oscillation starts
immediately (toggles between open and closed
filter).
The positive and negative values indicate an op-
posed sense of “opening” and “closing”, other-
wise, the choice between a positive or negative
value give perfectly equivalent results. Higher
positive or negative values increase the Filter
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
AMPLITUDE S.O.1 & S.O.2: Applies Lfo to the
Amplitude to produce Tremolo effects. This pa-
rameter determines the modulation depth of the
LFO on the Amplitude (the output level).
The positive and negative values indicate an op-
posed sense of increase/decrease of the Tremolo
output level (the choice between positive or nega-
tive values give perfectly equivalent results).
Higher positive or negative values increase the
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
TOUCH AMPL. S.O.1 & S.O.2: Links the depth
of the Amplitude modulation to Aftertouch pres-
sure, permitting you to control of the amount of
Tremolo by varying the aftertouch pressure ap-
plied to the keys.
The “Delay” parameter is ignored when pressure
is applied to the keys and the oscillation starts
immediately.
The positive and negative values indicate an op-
posed sense of increase/decrease of the Tremolo
output level (the choice between positive or nega-
tive values give perfectly equivalent results).
Higher positive or negative values increase the
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
FILTER S.O.1 & S.O.2: Applies Lfo to the Cutoff
Frequency of the Filter (1 or 2) to produce a “Wha-
Wha” effect, caused by the “opening” and “clos-
ing” of the Filter. This parameter determines the
modulation depth of the Lfo on the Cutoff Fre-
quency.
The positive and negative values indicate an op-
posed sense of “opening” and “closing”, other-
wise, the choice between a positive or negative
value give perfectly equivalent results. Higher
positive or negative values increase the Filter
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.
TOUCH FILT S.O.1 & S.O.2: Links the depth of
the Filter modulation to Aftertouch pressure. By
applying aftertouch pressure to the keys, the “De-
lay” parameter is ignored and the oscillation starts
immediately (toggles between open and closed
filter).
The positive and negative values indicate an op-
posed sense of “opening” and “closing”, other-
wise, the choice between a positive or negative
value give perfectly equivalent results. Higher
positive or negative values increase the Filter
modulation depth.
Assignable values: –7 ... +7. 0 = no effect.

GEM GPS3600 Specifications

General

Brand	GEM
Model	GPS3600
Category	Musical Instrument
Language	English