PROG P4: Amp/EQ 4–5: Amp2/Driver2
47
higher velocities. If you instead set At (Attack) to –99, the
Attack time will get much shorter at higher velocities.
When the AMS source is at its maximum value–for instance,
when Velocity is at 127–a setting of +8 will make the
segment time almost twice as long, and a setting of –8 will
cut the segment time almost in half.
Dc (Decay) [–99...+99]
This controls the depth and direction of the AMS
modulation for the Decay time.
Sl (Slope) [–99...+99]
This controls the depth and direction of the AMS
modulation for the Slope time.
Rl (Release) [–99...+99]
This controls the depth and direction of the AMS
modulation for the Release time.
AMS2 and AMS3
These select the second and third AMS sources, respectively,
for controlling the EG’s Time parameters. Each has its own
intensities for Attack, Decay, Slope, and Release. The
parameters of both AMS2 and AMS3 are identical to those of
AMS1, above.
▼4–3: Menu Command
• 0: Write Program ☞p.73
• 1: Exclusive Solo ☞p.73
•2: Copy Oscillator ☞p.74
•3: Swap Oscillator ☞p.74
•4: Sync Both EGs ☞p.75
For more information, please see “Program: Menu
Command” on page 73.
4–5: Amp2/Driver2
This page controls Oscillator 2’s basic level, pan, and driver
settings. It is available only when the Oscillator Mode is set
to Double; if not, the page will be grayed out.
The parameters are identical to those for Oscillator 1, as
described under “4–1: Amp1/Driver1,” on page 41.
4–6: Amp2 Modulation
This page controls Oscillator 2’s amp modulation. It is
available only when the Oscillator Mode is set to Double; if
not, the page will be grayed out.
The parameters are identical to those for Oscillator 1, as
described under “4–2: Amp1 Modulation,” on page 42.
4–7: Amp2 EG
This page controls Oscillator 2’s amp EG. It is available only
when the Oscillator Mode is set to Double; if not, the page
will be grayed out.
The parameters are identical to those for Oscillator 1, as
described under “4–3: Amp1 EG,” on page 45.
4–8: EQ
This three-band EQ, with sweepable mid, is shared by both
of the Program’s oscillators 1, 2.
In Combinations and Sequencers, each timbre and track has
its own individual EQ. You can import the Program’s EQ
settings into Tracks and Timbres by using the Combination
and Sequencer “Auto Load Program EQ” options.
4–8a: 3 Band Parametric EQ
Bypass [On, Off]
When Bypass is checked, all of the EQ will be disabled,
including the Input Trim.
Bypass is useful for comparing the results of the EQ with the
original signal.
Input Trim [00...99]
This controls the volume level going into the EQ. The setting
corresponds to the volume; 50 corresponds to –12 dB, and 25
corresponds to –24 dB.
High settings of the Low, Mid, and High Gain controls can
cause substantial increases in the overall level. You can
compensate for this by turning down the input trim.
Low Gain [–18.0...+00.0...+18.0dB]
This controls the gain of the 80 Hz Low Shelf EQ, in
increments of 0.5 dB.
Mid Frequency [100Hz...10.00kHz]
This sets the center frequency for the Mid sweep EQ.
Mid Gain [–18.0...+00.0...+18.0dB]
This controls the gain of the Mid Sweep EQ, in increments of
0.5 dB.
High Gain [–18.0...+00.0...+18.0dB]
This controls the gain of the 10 kHz High Shelf EQ, in
increments of 0.5 dB.
▼4–8: Menu Command
• 0: Write Program ☞p.73
• 1: Exclusive Solo ☞p.73
•2: Copy Oscillator ☞p.74
•3: Swap Oscillator ☞p.74
For more information, please see “Program: Menu
Command” on page 73.
4–8a
4–8
Menu
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