7. Press [ENTER] once again.
fig.0-5
The Setup Copy operation will be carried out, then the
normal display will reappear.
To save the copied pattern, use the Pattern Write oper-
ation.
☞ “Saving Patterns You’ve Modified (Pattern
Write)” (p. 36)
Pattern Initialize
This operation initializes a pattern to a state of con-
taining no musical data (empty pattern).
1. Press [PTN/SONG] to access the pattern
select page.
2. Select the pattern that you wish to initial-
ize.
* It is not posibble to initialize if you select a preset pattern.
3. Press [UTILITY].
The indicator will light.
4. Press PAGE [<] [>] several times to select
“INITIALIZE,” and press [ENTER].
5. Select “PATTERN,” and press [ENTER].
The following display will appear.
fig.3-40
6. Press [ENTER].
fig.0-5
The Pattern Initialize operation will be carried out,
then the normal display will reappear.
The pattern that was initialized will be saved automat-
ically.
Using the Knobs to Modify
the Sound During Playback
(Real-Time Modify)
You can freely modify the sound of a patch by moving
the sound parameter knobs while a pattern is playing.
This capability is referred to as Real-Time Modify, and
is especially effective when used during a live perfor-
mance. Realtime Modify adjusts the tone of the entire
patch (rhythm set) selected for the current part, or the
tone of an entire rhythm group.
1. Select a pattern, and play it (p. 30).
2. Use [PART SELECT] and PART [1]–[R] to
select the part.
fig.2-1
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
The part(s) affected by Realtime Modify
The part(s) whose sound will be affected by Realtime
Modify will depend on the Key Mode.
Single: The sound of the current part will be
affected.
Split: The sound of the upper part will be affect-
ed when the [UPPER] indicator is lit, and
the lower part when the [LOWER] indica-
tor is lit.
Dual: The sounds of both the upper and lower
parts will be affected.
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
3. Use the knobs to modify the sound.
fig.3-43
* When modifying the rhythm part, parameters of LFO1
and PORTAMENTO are not used.
If you wish to learn about the function of each
knob and button...
☞“Creating Original Sounds (Patch Edit)” (p.
53)
☞“Creating an Original Rhythm Set (Rhythm
Edit)” (p. 85)