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Roland JX-305 - Playback (Real-Time Modify)

Roland JX-305
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7. Press [ENTER] once again.
fig.0-5
The Setup Copy operation will be carried out, then the
normal display will reappear.
To save the copied pattern, use the Pattern Write oper-
ation.
“Saving Patterns You’ve Modified (Pattern
Write)” (p. 36)
Pattern Initialize
This operation initializes a pattern to a state of con-
taining no musical data (empty pattern).
1. Press [PTN/SONG] to access the pattern
select page.
2. Select the pattern that you wish to initial-
ize.
* It is not posibble to initialize if you select a preset pattern.
3. Press [UTILITY].
The indicator will light.
4. Press PAGE [<] [>] several times to select
“INITIALIZE,” and press [ENTER].
5. Select “PATTERN,” and press [ENTER].
The following display will appear.
fig.3-40
6. Press [ENTER].
fig.0-5
The Pattern Initialize operation will be carried out,
then the normal display will reappear.
The pattern that was initialized will be saved automat-
ically.
Using the Knobs to Modify
the Sound During Playback
(Real-Time Modify)
You can freely modify the sound of a patch by moving
the sound parameter knobs while a pattern is playing.
This capability is referred to as Real-Time Modify, and
is especially effective when used during a live perfor-
mance. Realtime Modify adjusts the tone of the entire
patch (rhythm set) selected for the current part, or the
tone of an entire rhythm group.
1. Select a pattern, and play it (p. 30).
2. Use [PART SELECT] and PART [1]–[R] to
select the part.
fig.2-1
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
The part(s) affected by Realtime Modify
The part(s) whose sound will be affected by Realtime
Modify will depend on the Key Mode.
Single: The sound of the current part will be
affected.
Split: The sound of the upper part will be affect-
ed when the [UPPER] indicator is lit, and
the lower part when the [LOWER] indica-
tor is lit.
Dual: The sounds of both the upper and lower
parts will be affected.
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
3. Use the knobs to modify the sound.
fig.3-43
* When modifying the rhythm part, parameters of LFO1
and PORTAMENTO are not used.
If you wish to learn about the function of each
knob and button...
“Creating Original Sounds (Patch Edit)” (p.
53)
“Creating an Original Rhythm Set (Rhythm
Edit)” (p. 85)
12345678
SELECT
PART
MUTE
PART
CTRL
MUTE
PREV NEXT
PRESET
USER
CARD
UTILITY
BANK
1234567R
PART
WRITE
FX ON/OFF
QTZ SELECT
EDIT/UTILITY
GROUP PART
EDIT
CUTOFF
LEVEL
PORTA TIME
RESONANCE
PANPOT
FINE TUNE
ENVELOPE
LFO1
EFFECTS
RATE
REVERB LEVEL
FADE TIME
DELAY LEVEL
PITCH DEPTH
MULTI CTRL1
FILTER DEPTH
MULTI CTRL2
AMP DEPTH
MULTI CTRL3
REALTIME MODIFY
ATTACK DECAY SUSTAIN RELEASE DEPTH FILTER
AMP
PITCH
Chapter 3. Playing Patterns
38
3

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