(3) HiF (high frequency): 1
-
10
This determines the central
area
of the high frequencies that
is to
be
emphasized.
(4)
HiE
(high enhance): 0
-
100
This determines the degree of enhancer effect applied
to
the
high
frequencies.
Page
21
(1)
DES
(destination): LoF, LoE, HiF,
HiE,
LVL
(2)
CTL
(control change number): 1
-
31, 63
-
95
(exclud-
ing 6,7,70
-
79, and 91)
(3) RATIO: -100 -+loo%
(4) LVL (output level): 0
-
100
Effect
Module
5:
Amp
Simulator
(AMP)
This effect module simulates the characteristics of a guitar
amplifier or bass amplifier, and is especially convenient for
use
when recording direct with a line output, or when play-
ing back through
a
conventional audio system.
greater the value, the stronger the character of the sound.
(4)
STR
(stereo switch): off, on
This determines whether the output of this effect sent
to
the
following modules is mono or stereo.
[Page
21
(1)
DES
(destination):
DPT,
LVL
(2)
CTL
(control change number): 1
-
31,
63
-
95
(exclud-
ing
6,7,70
-
79, and 91)
(3) RATIO: -100 -+loo%
(4)
LVL
(output level):
0
-
100
Helpful
Hint:
Setting the stereo switch to
ON
enables you to use stereo
processing after the amplifier effect module.
Note:
When the
SFX
effect module is used, the stereo switch
parameter is unavailable.
Bass Amplifier Simulator (Bs
A)
@
Guitar
Amplifier
Simulator (Gt A)
This effect simulates the sound of a bass amplifier.
This effect simulates the sound of a guitar amplifier.
Especially when combined with a distortion group effect,
this program realistically reproduces the sound of an ampli-
fier recorded through a microphone.
[Page
11
(1) COL (color): 1
-
4
This determines the frequency response characteristics of the
sound.
1
--
Even, flat response
2
--
Classic tube amplifier sound
3
--
Dry
sound with emphasis of the high frequencies
4
--
Modern sound which strongly emphasizes both high
frequencies and low frequencies
(2) BOX: COM, CMB,
STK
This determines the overall sound quality with the simulation
of three different ampli fierlspeaker types: compact
(COM)
,
comb
(CMB),
or stack
(STK).
(3)
DPT
(depth): 0
-
100
This determines the degree of the overall processing.
The
[Page
11
(1) COL (color): 1
-
4
This determines the frequency response characteristics of the
sound.
1
--
Even, flat response
2
--
Relatively full, bottom-heavy
sound,
with emphasis
in the midrange frequencies
3
--
Classic bass tube amplifier sound, with emphasis in
the midrange frequencies
4
--
Modem sound which strongly emphasizes both high
frequencies and low frequencies
(2) BOX: COM, CMB,
STK
This determines the overall sound quality with the simulation
of
three
different enclosures.
(3)
DPT
(depth):
0
-
100
This determines the degree of the overall processing.
(4)
STR
(stereo switch): off, on
This determines whether the output of this effect sent
to
the
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