(3)
MAN
(manual):
0
-
100 ms
This determines the delay time, set in increments of 1 ms.
This is the time that elapses between the start of the direct
sound and the onset of the modulation effect.
(4)
F.B
(feedback): -98
-
+98
This determines the amount of feedback. The greater the
value, the greater the difference between the crest (the
emphasized frequency) and the valley (the attenuated fre-
quency) gets. The crest and valley points become reversed
for negative values.
[Page
21
(1) DES (destination): DPT, SPD,
EB,
S
+
F,
LVL
Modulation can be applied to
both
speed and feedback when
"S
+
F"
is selected.
(2)
CTL
(control change number):
1
-
31, 63
-
95 (exclud-
ing 6,7,70
-
79, and 91)
(3) RATIO:
-
100
-
+
100%
(4)
LVL
(output level):
0
-
100
Chorus (CHO)
This is an easy-to-use, mono chorus effect. The speed of the
modulation has been pre-programmed to give a rich, yet sub-
tle chorus effect.
[Page
11
(1) DPT (depth):
0
-
100
This determines the depth of the tone change. The greater
the value, the greater the change in the timbre of the sound.
(3)
MIX
(effect mix):
0
-
100
This determines the mix amount of the effect sounds.
(4)
LVL (output level):
0
-
100
This determines the output level of the module.
[Page
21
(1)
DES (destination):
DPT,
MIX,
LVL
(2)
CTL
(control change number): 1
-
3 1, 63
-
95 (exclud-
ing 6,7,70
-
79, and 91)
(3)
RATIO:
-100-+100%
(4) LVL (output level):
0
-
100
Auto
Wah
(AWA)
This is a simple auto wah in which the degree of wah effect
applied depends on the level of the input sound. With a gui-
tar,
for example, the effect will change depending on how
hard you pick the strings.
[Page
11
(1) SNS (sense): 1
-
100
This determines the sensitivity of the
wah
effect. When this
is set to higher values, even softly picked notes will trigger
the effect.
(2)
MAN
(manual): 1
-
100
This determines the lowest frequency to which the wah
effect is applied. You should adjust this parameter to fit the
particular instrument or sound used.
(3)
PK
(peak):
l
-
l0
When this value is increased, the sound resonates strongly at
the frequency to which the wah effect is set
(4) TRG (trigger): pre, pos
This determines which point in the signal path supplies the
sound for affecting
or
triggering the auto
wah
effect. When
set
to
PRE,
the level fluctuations at the input signal affect
auto wah; when set
to
POS (post), the level fluctuations at
the Amplifier effect module affect auto wah.
[Page
21
(1) DES (destination): SNS,
LVL
(2)
CTL
(control change number): 1
-
31,63
-
95 ((exclud-
ing 6,7,70
-
79, and 91)
(3) RATIO: -100
-
+100%
(4)
LVL
(output level):
0
-
100
nn
COMP
-
AMP
>
AUTOWAH
Assigning
Auto
Wah
Trigger
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