238 Chapter 28: Delay Compensation (Latency)
PRO6 Live Audio System
Owner’s Manual
• XLR – IP – MAST – MTX
• XLR – IP – AS (With GEQ) – MAST (With GEQ)
• XLR – IP – AS (With GEQ) – MTX (With GEQ)
• XLR – AR (Input) – AS – MAST – XLR
• XLR – AR (Input) – AS – MTX – XLR
FOH mix low latency
The following table shows the delay compensation settings for this mix.
The following signal path examples all measure the same latency of 392 samples at
96kHz = 4.08ms:
• FOH XLR – IP – MAST – XLR
• XLR – IP – MAST – XLR
• XLR – IP – MTX – XLR
• XLR – IP – AS - MAST – XLR
• XLR – IP – AS – INS – AR – MAST – XLR
• XLR – IP – AS – INS – AR – MAST (With GEQ) – XLR
• XLR – IP – AS – INS – MAST DI (Mix)
• XLR – IP – AS – INS – MTX DI (Mix)
• XLR – MAST DI (Input)
• XLR – MTX DI (Input)
• XLR – AS DI – MAST – XLR
• XLR – AR (Input) – MAST – XLR
• XLR – IP – MAST – MTX
• XLR – IP – AS – MAST (With GEQ)
• XLR – IP – AS – MTX (With GEQ)
• XLR – AR (Input) – AS – MAST – XLR
• XLR – AR (Input) – AS – MTX – XLR
Option On/off status
Master to Matrix Post-processing Off
Input Channels
Insert Off
Aux Sends
Monitor Mode (Align with Masters)
Insert
Send-FZ-Return
Graphic EQ
Off
Off
On
Off
Master and Matrix
Insert
Graphic EQ
Off
On