Midas PRO6 User Manual

375
XL8 Live Performance System
Owner’s Manual
Appendix J: Reference Tables
This appendix contains tables that may provide a useful reference.
Definition of the primary buses
The primary buses are shown in the following table.
Table 21: Definition of primary buses
Bus Description and option
Source and
destination
Aux • Mono aux mix pairs (contributions
taken pre-/post-fader, level and level)
• Stereo aux mix pairs (contributions
taken pre-/post-fader with own level and
pan)
• Subgroup style single (contributions
taken post-fader, mono)
• Subgroup style pairs (contributions
taken post-fader, main pan stereo)
• Mix minus style single (contributions
taken post-fader, mono)
• Mix minus style pairs (contributions
taken post-main, pan stereo)
From inputs (including
aux inputs set to input
channel mode) to aux
sends in the mix area
Matrix • Matrix mix mono pairs (contributions
taken pre-/post-fader, level and level)
• Matrix mix stereo pairs (contributions
taken pre-/post-fader with own level and
pan)
• Optional 5:1 subgroups
From inputs, auxes
and masters to matrix
outputs in the mix
area
Master • Master group style single (post-fader
mono)
• Master group style pair (post-fader,
pan stereo)
• Master SIS style (contribution is taken
post-pan and image SIS)
From inputs and
auxes to master
outputs (master area)
Solo • PFL stereo (or spread centre-panned
mono)
• AFL stereo (or spread centre-panned
mono)
• Optional 5:1
From anywhere to the
monitor outputs
(master area)

Midas PRO6 Specifications

General

Brand	Midas
Model	PRO6
Category	Recording Equipment
Language	English