ABSYNTH 5 Reference Manual – 142
10.2 Automation in ABSYNTH 5: Macro Controls
Assignment page in Perform Window
With the Macro Controls, you can organize all of the Signals controlling parameters inside of
ABSYNTH5. First, we will take a look at the different types of control signals:
• Envelope and LFO are modulation sources within ABSYNTH5. Their control signals au-
tomatically control parameters of the sound production and effect section. If you activate,
congure, and assign such a Modulation Source to a destination, the Control Signals will
also be created without any additional effort on your part. The possibilities are limited to
the sound path, meaning that they are limited to the period of time between the instant
when you hit the key (ie when the MIDI Note-On message is triggered) and the instant
when the resulting sound vanishes.
•
To change a sound over the course of an entire piece of music without having to interfere
with the piece while it is playing, send the Control Signals from “outside” to ABSYNTH
5. Additionally, use the automation of our Audio MIDI sequencer in the Plug-in Program.
All modern programs, such as Cubase, Logic, Sonar, or Digital Performer offer the pos-
sibility to record Automation data or to create them by mouse click. In the graphic pre-
sentation can work on the Automation comfortably. You can send the Automation data to
ABSYNTH 5 and make sound changes to several bars or entire compositions. Automation
tracks can be assigned to the parameters inside of ABSYNTH 5 using a list of available
Automation goals, of which ABSYNTH 5 noties the host software.
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