ABSYNTH 5 Reference Manual – 74
Tone Panel
The Supercomb’s Tone panel contains following parameters:
•
ToneModemenu: selects from a set of resonance modes. The higher the feedback is turned
up, the more pronounced the effect is. The Tone mode changes the color of the decay.
• Tonecontrol: This controls affects the sound differently according to the mode selected
in the Tone Mode menu above. It is not available for the mode Raw.
• HPcontrol: Low frequency damping. Low frequencies decay faster as this control is turned up.
•
LPcontrol: High frequency damping. High frequencies decay faster as this is turned down.
This control is useful for a more natural resonance.
•
Positioncontrol: Controls the ratio of the delay taps (see 5.5.9, “Comb”, above). This
control changes the color of the comb lter.
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Don’t hesitate to play with these controls to understand how they affect the sound. In
particular, modulate the Position parameter to get nice effects!
5.5.11 Cloud
Cloud Filter
The Cloud lter is another new lter introduced in ABSYNTH 5. It is the little brother of the
new Aetherizer effect, a granular delay with multiple feedback and tone controls. It inherits
the most important parameters of the Aetherizer. We recommend you to read the section 6.7,
“Aetherizer”, rst in order to understand how this lter works.
The Cloud lter does not have the usual panels to be found in other lter types. Instead, it
presents the three following panels:
• The Grain panel holds parameters controlling the grain cloud.
• The Tone panel allows you to activate a lter and to adjust its parameters.
•
The Mix panel allows you to adjust the mix between the dry and processed signals and
the level of the output signal.
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