74
Algorithm list
P
B
20 DELAY
fig.4-203
You can choose one of two types of delay; single, or three-tap.
By using the three-tap delay, you can make independent settings for each of the three delay sounds.
A four-band equalizer is provided on the input.
In this Algorithm, what you have set with the DIRECT MIX (p.46) will have effect.
4BAND EQ (Equalizer)
EFFECT OFF, ON
LOW EQ -20–+20 (dB)
HIGH EQ -20–+20 (dB)
LEVEL -20–+20 (dB)
LO-MD F 100–10.0 k (Hz)
LOW-MID Q 0.5–16.0
LOW-MID EQ -20–+20 (dB)
HI-MD F 100–10.0 k (Hz)
HI-MID Q 0.5–16.0
HI-MID EQ -20–+20 (dB)
DELAY
EFFECT OFF, ON
TYPE SINGLE, 3TAP
(SINGLE)
DELAY TIME 0–2800 (msec), BPM:
FINE TIME 0–20 (msec)
FEEDBACK 0–100
FX LEVEL 0–120
DIR LEVEL 0–100
HIGH DAMP GAIN -50–0 (dB)
HIGH CUT FILTER 700–11 k (Hz), FLAT
(3TAP)
DELAY TIME [C] 0–2800 (msec), BPM:
FINE TIME [C] 0–20 (msec)
TIME [L] 1–400 (%)
TIME [R] 1–400 (%)
FEEDBACK 0–100
LEVEL [C] 0–100
LEVEL [L] 0–100
LEVEL [R] 0–100
FX LEVEL 0–120
DIR LEVEL 0–100
HIGH DAMP GAIN -50–0 (dB)
HIGH CUT FILTER 700–11 k (Hz), FLAT
MASTER
<MASTER>
LEVEL 0–100
BPM 40–250, MIDI, GLOBAL
<FV: FOOT VOLUME>
FOOT LEVEL 0–100
DELAY C
DELAY R
DELAY L
4BAND EQ
Output L
Output R
Feedback
Direct Level
Direct Level
Input L
Input R
FV