83
Algorithm list
Section 4
P
B
29 STEREO MULTI
fig.4-215
This algorithm is a series connection of five basic effects, each completely in stereo.
It allows you to add depth and spaciousness to the sound while preserving the positioning of the stereo input.
COMPRESSOR/LIMITER
EFFECT OFF, ON
SELECT COMP, LIMIT
<COMPRESSOR>
DETECT L, R, LINK
THRESHOLD 0–100
RATIO 1.5:1–100:1
ATTACK 0–100
RELEASE 0–100
TONE -50–+50
LEVEL 0–100
<LIMITER>
DETECT L, R, LINK
THRESHOLD 0–100
RELEASE 0–100
TONE -50–+50
LEVEL 0–100
NS. SUPPRESSOR (Noise Suppressor)
EFFECT OFF, ON
DETECT L, R, LINK
THRESHOLD 0–100
RELEASE 0–100
ENHANCER
EFFECT OFF, ON
DETECT L, R, LINK
SENS 0–100
FREQENCY 1.0 k–10.0 k (Hz)
MIX LEVEL 0–100
LoMIX LEVEL 0–100
LEVEL 0–100
4BAND EQ (Equalizer)
EFFECT OFF, ON
LOW EQ -20–+20 (dB)
HIGH EQ -20–+20 (dB)
LEVEL -20–+20 (dB)
LO-MD F 100–10.0 k (Hz)
LOW-MID Q 0.5–16.0
LOW-MID EQ -20–+20 (dB)
HI-MD F 100–10.0 k (Hz)
HI-MID Q 0.5–16.0
HI-MID EQ -20–+20 (dB)
STEREO DELAY
EFFECT OFF, ON
DELAY TIME [L] 0–1400 (msec), BPM:
FINE TIME [L] 0–20 (msec)
DELAY TIME [R] 0–1400 (msec), BPM:
FINE TIME [R] 0–20 (msec)
FEEDBK [L] 0–100
FEEDBK [R] 0–100
FX LEVEL 0–120
DIR LEVEL 0–100
HIGH DAMP GAIN -50–0 (dB)
HIGH CUT FILTER 700–11 k (Hz), FLAT
MASTER
<MASTER>
LEVEL 0–100
BPM 40–250, MIDI, GLOBAL
<FV: FOOT VOLUME>
FOOT LEVEL 0–100
Input L
Input R
Output L
Output R
COMPRESSOR
/
LIMITER L
COMPRESSOR
/
LIMITER R
NS.
SUPPRESSOR L
NS.
SUPPRESSOR R
ENHANCER L
ENHANCER R
4BAND EQ
DELAY L
DELAY R
FV