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Fractal FM9 - Page 123

Fractal FM9
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117
14 ADDITIONAL TOPICS
SETTING UP THE MIDI PAYLOAD FOR A CONTROL SWITCH:
Open SETUP: FC Controllers and page to the “CS MIDI” tab.
Use NAV buttons and the VALUE wheel to get around the page.
Select the desired control switch at the top of the menu. (CS1, CS2, etc.)
Make sure ENABLED is set to “YES” if you want the switch to send MIDI.
NAV through the table and create your desired MIDI Payload of up to
four commands, with different values for ON and OFF.
For each command, select whether you want a Program Change (PC) or Control Change (CC) message.
Set the MIDI Channel for that command as desired from 1–16.
If you chose a CC Command, set the CC Number.
Set the desired Values for when the switch is ON and when it is OFF.
You can select values from 0–127, or “--” which means “send nothing.
There is no need to save CS MIDI settings. They take effect immediately.
Control Switches can be triggered manually using a footswitch, or automatically by Scenes.
See the “The Footswitch Functions Guide for more on Control Switches.
TRANSMITTING MIDI WITH A CONTROL SWITCH
Another way for the FM9 to transmit MIDI messages using Control Switches. While the primary function of a
Control Switch is to operate as a Modier source to control FM9 parameters, each of the six Control Switches
also has the capability to transmit a custom “payload” of MIDI data every time the switch is turned ON or OFF.
This isn’t tied to another event such as a Preset or Scene change, so Control Switch MIDI is more flexible.
Control Switches can be momentary or latching (and even mutually exclusive), so the CS MIDI system is very
versatile. You might change a connected MIDI-controlled amp, operate a remote processor, control a sequencer,
switch a lighting system, and more.
See “The Fractal Audio Blocks Guide” for more about Control Switches. Here is a summary:
The Control Switch function can be placed as TAP or HOLD of any switch in any FC Layout.
Control Switches 1–6 appear in the list of Modier sources on the FM9. The role of a switch as
a modier source is not compromised if you also use it to transmit MIDI. The same switch can
simultaneously control the FM9 and a connected device. See Section 9: Modiers to learn more.
Each Control Switch has its own global MIDI Payload containing up to four Program
Change (“PC”) or Control Change (“CC) messages on any MIDI Channels, with custom
values from 0–127, or disabled (“--”) for both the ON and OFF states of the switch.
Each MIDI Payload also has a “master switch” allowing it to be enabled or disabled.

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