PAGE 21 - STYLE CONTROLS: WRAP AROUND /
KEYBOARD RANGE
In this page you can program the Wrap Around function and
the Keyboard Range for the Style tracks.
Here is the edit procedure:
1. Use the VOLUME/VALUE (A-H) buttons to select a
parameter.
2. Use the F1-F4 buttons to move the cursor between the
parameter and its status or value.
3. Use the TEMPO/VALUE controls to change the parame-
ter’s status or value.
Prog (Program)
This parameter lets you select a different Program, other than
the one recorded into the Style Element (Variations, Fills,
Intros, Endings).
Note: This parameter is automatically set to On each time you
assign a different Program to one of the Style tracks, either from
the front panel or via MIDI.
Original Style tracks always use the original Programs.
If you assign a different Program to a Style
track, it may be reset to the original one when
selecting a different Style Element.
On You can assign different Programs to each Style
track, and save them in a Performance or Style
Performance. This becomes the only track’s
Program for all Style Elements.
W (Wrap Around)
The wrap-around point is the highest register limit for the
backing track. The accompaniment patterns will be trans-
posed according to the detected chord. If the chord is too
high, the Style tracks might play in a register that is too high,
and therefore unnatural. If, however, it reaches the wrap-
around point, it will be automatically transposed an octave
lower.
The wrap-around point can be set for each track in semitone
steps up to a maximum of 12 semitones, relative to the chord
root. This value will be the interval between the key specified
by the Style Element and the wrap-around point.
1…12 Maximum transposition (in semitones) of the
track, referred to the original key of the pat-
tern.
KR (Keyboard Range)
This parameter is an on/off switch for the Key Range param-
eter memorized into the Style.
Or(iginal) The Keyboard Range is used. When a track
goes over the lower or higher limit set by this
(hidden) parameter, it is transposed, to play
into the programmed range.
Off No Keyboard Range used.
PAGE 22 - INPUT/PAD: INPUT SETUP
This page lets you select one of the available Setups for the
Internal FX, Vocal/Guitar Processing Board effects, for the
Audio Inputs.
Inputs 1/2 (non-editable)
This parameter shows the signal path for the Audio Inputs.
This lets you see if the input signal goes to the Internal FX
processors, or to the Vocal/Guitar Processing Board. See
“Page 14 - Audio Input Configuration” on page 16-7.
Internal FX
One of the 16 available settings for the Internal FX processors
applied to the Audio Inputs. See “Internal FX Setup” on
page 16-7.
Vocal/Guitar Processor Board
One of the 16 available settings for the Vocal/Guitar Process-
ing Board effects, applied to the Audio Inputs. “Vocal/Gtr
Setup” on page 16-7
Note: This parameter is effective only when the Vocal/Guitar
Processor Board is installed.
PAGE 23 - INPUT/PAD: PADS
This page lets you select a different sound or function for
each of the four PAD buttons.
1-4
Each of the four PAD buttons. See “List of sounds assignable
to the Pads” on page 21-2 and “List of functions assignable to
the Pads” on page 21-3.
Note: Function names are preceded by an asterisk (*)
Volume
Volume for each of the four Pad tracks.
Pan
Pan for each of the four Pad tracks.
-64 Fully Left.
00 Centered.
+63 Fully Right.
C Send
Send level to the C Internal FX processor (usually reverb) for
each of the four Pad tracks.
Prog:Orig W:7 KR:Or
W:12 KR:Or
W:12 KR:Or W:12 KR:Or
W:12 KR:Or W:12 KR:Or
StyCtl:Wrap/Rng
Input1/2 :1/2IntFX
InternalFX:MicroSet1
Vocal/Gtr :GtrSet1
In/Pad:InputStp
1:Crash Volume:127
2:Ride Pan:+00
3:China C Send:100
4:*StyleUp D Send:100
In/Pad:Pads
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