Why can't I select MP3 as the recording format on my Roland Recording Equipment?
If you cannot select MP3 as the recording format on your Roland Recording Equipment, ensure that 2 CHANNEL is selected as the recording mode, and the sampling rate is set at 44.1 kHz or 48.0 kHz.
Why does the display on my Roland R-26 Recording Equipment become dim?
If the display on your Roland Recording Equipment becomes dim, this is normal behavior. The display will dim if no operation is performed during the specified Display Timer interval.
Why does my Roland R-26 start recording at a different time than when I press record?
With Roland Recording Equipment, if recording begins at a different point than when you started, check if PRE-REC is enabled, as the sound will be recorded starting two seconds before you press the record button. Also, recording will start automatically when the unit detects input above a certain level if the automatic recording start feature is on.
Why can't I record with my Roland R-26?
If you can't record with your Roland Recording Equipment, there could be several reasons: * The SD card might not be inserted correctly. Turn off the power and re-insert the SD card. * The SD card might not be formatted. Format the SD card. * The SD card might have been formatted incorrectly using a computer. The card should be formatted on the R-26. * The SD card might be write-protected. Turn off write protection. * The recording level might be too low. Set the recording level appropriately.
Why isn’t my Roland R-26 Recording Equipment recognized when connected to my computer via USB?
If your Roland Recording Equipment is not recognized by your computer via USB, and the “MENU” screen is displayed, or during playback or recording, disconnect the USB cable and try again.
What to do if my Roland Recording Equipment R-26 is not recognized by my computer?
If the R-26 is not recognized when connected to your computer, make sure that the SD card is inserted correctly.
Why is my Roland Recording Equipment only recording on the left channel?
If the sound recorded from the mic is only heard from the left channel on your Roland Recording Equipment, and you're using a monaural mic, this is normal. To record onto both channels, use the “MIC TYPE” screen to set the external mic type to “MONO.”
Why can't I start recording on my Roland R-26 Recording Equipment?
If you can’t start recording on your Roland Recording Equipment, it may be because the SD card has less than 16 kilobytes of free space. Ensure the SD card has enough free space.
Why is my plug-in mic not working with my Roland R-26 Recording Equipment?
If you're not getting any sound from your plug-in mic with your Roland Recording Equipment, make sure that plug-in power is turned on.
Why is there no sound from my condenser mic on my Roland R-26 Recording Equipment?
If you're not receiving sound from a condenser mic connected to your Roland Recording Equipment, ensure that phantom power is turned on. Condenser mics require phantom power to function.
General| Sample rate | 96 kHz |
|---|---|
| Audio quality | 24 bit |
| XLR in | - |
| Interface | USB |
| USB 2.0 ports quantity | 1 |
| Product color | Black, Grey |
| Microphone input impedance | 3000 Ω |
Weight and Dimensions| Weight | 370 g |
|---|---|
| Dimensions (WxDxH) | 82 x 180 x 41 mm |
Covers warnings on opening, repairing, installation locations, and symbols.
Details safe handling, charging, and disposal of batteries.
Covers AC adaptor, cords, grounding, and power connection safety.
Addresses use with children, impact, liquids, and temperature extremes.
Critical warning about supplying phantom power to non-condenser mics.
Notes on AC adaptor heat, connecting devices, and auto-off function.
Guidelines for battery installation, type, and power conservation.
Advice on avoiding interference, heat, moisture, and surface marks.
Instructions for regular cleaning and avoiding solvents.
Warnings about data loss during repairs and backups.
Proper insertion, care, and protection of SD cards.
Guidelines for handling discs and respecting copyright laws.
Using internal/external mics for pianos and similar instruments.
Capturing high-volume bands and creating WAV/MP3 files simultaneously.
Pinpointing distant sounds or capturing broad soundscapes with mic directionality.
Capturing audience and venue sound using internal and external mics.
Detailed explanation of the R-26's physical controls and ports.
Explanation of the main screen, playing/stopped, and recording displays.
Overview of INFO, MON, MARK, and A-B SPEED tabs for project navigation.
Guide to accessing and navigating the R-26's menu system.
Instructions for powering the R-26 via batteries, AC adaptor, or external source.
Step-by-step guide to inserting batteries into the unit.
Procedure for connecting the AC adaptor for power.
Guidance on selecting final voltage for external power.
How to use the power/hold switch to turn the unit on and off.
Steps to set the unit's internal calendar and clock.
Procedures for managing SD cards for recording.
Instructions for safely inserting and removing SD cards.
Process for formatting an SD card for use with the R-26.
How to connect audio output devices for monitoring.
Step-by-step diagram outlining the recording process.
Configuring recording mode, source, sample rate, and format.
Choosing channel count and input sources for recording.
Selecting appropriate audio quality and file format.
Configuring pre-recording capture and project naming.
Deciding between date-based or sequential project naming.
Automating recording start and selecting WAV/BWF file types.
Configuring input sources like internal mics, analog, and plug-in mics.
Adjusting limiter and low-cut filter for internal microphones.
Configuring analog inputs, including type, phantom power, and filters.
Specifying plug-in mic type, power, and filter settings.
Adjusting input levels and internal mic response modes.
Choosing optimized mic modes for different recording scenarios.
Fine-tuning input sensitivity and level meters for optimal recording.
Setting sensitivity levels for different input types.
Manually adjusting input levels using knobs to avoid clipping.
Using the AUTO SENS function for automatic level optimization.
How to start, stop, and manage recordings using the REC button.
Adding markers to projects for easy navigation during recording.
Dividing projects into smaller files for easier searching.
Examples and settings for recording various sources like instruments and concerts.
Tips for recording vocals, guitars, and pianos using internal/external mics.
Best practices for recording bands in rehearsal spaces using internal mics.
Techniques for capturing ambient sound or distant sources using mic directionality.
Methods for recording live performances from the stage.
How to select projects, play, rewind, and fast-forward.
Choosing between single, sequential, or shuffle playback order.
Enabling or disabling repeated playback of projects.
Adjusting channel monitoring and volume levels during playback.
Adding and managing markers for efficient project navigation.
Using A-B repeat function to loop specific sections of audio.
Adjusting playback speed without altering pitch for analysis.
Navigating, selecting, and performing operations on projects and folders.
Steps to open, select, and duplicate recorded projects.
Procedures for relocating projects and removing unwanted files/folders.
Changing the names of projects and folders using the on-screen keyboard.
Editing projects by splitting, merging, or removing sections.
Recording short voice memos to label projects for easy recall.
Converting WAV projects into MP3 format for distribution.
Attempting to recover damaged or unplayable recorded projects.
Organizing projects by creating new folders at root or sub-levels.
Choosing between storage, audio interface, or selectable mode.
Copying projects to and from the computer using USB storage mode.
Understanding how projects and files are organized on the SD card.
Safe procedures for disconnecting the R-26 from Windows and Mac OS.
Connecting the R-26 for recording and playback via USB audio software.
Guide for installing necessary drivers for computer connectivity.
Setting the audio interface sampling rate compatible with computer software.
Selecting the audio input source (internal, analog, plug-in) for audio interface mode.
Recording audio to both the R-26 and computer simultaneously.
Enabling monitoring of input audio through headphones/speakers.
Hearing computer audio output via the R-26's monitoring system.
Mixing R-26 input with computer playback for re-recording or streaming.
Configuration for recording mode, source, sample rate, format, and naming.
Settings for playback mode, repeat function, and file order.
Configuring internal, analog, and plug-in mic settings like limiter and filters.
Adjusting display, auto-off, battery type, USB connection, and language.
Configuring sample rate and input device for audio interface mode.
Managing SD card info/format and restoring factory default settings.
Adjusting input sensitivity, mic mode, and automatic sensitivity settings.
Solutions for issues encountered during the recording process.
Solutions for issues encountered during playback.
Solutions for miscellaneous issues like power, connectivity, and display problems.
Details on tracks, signal processing, data types, and memory card compatibility.
Technical details on audio inputs, outputs, levels, impedance, and phantom power.
Information on display, power supply, dimensions, weight, accessories, and options.
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