100
Offsets to its pixel values are listed in the R, G, B, C, M, and Y fields
(by default, these values are all set to zero).
4. e pop-up menu near the top of the window displays the nearest
primary color to the one you picked in the preview. Adjusting this
color will have the most dramatic effect on the color you chose.
However, if you wish to edit a different primary color, then select a
different color from the pop-up menu.
5. Add or subtract any of the other colors using the arrow buttons and
numerical entry fields provided for each color channel. Positive
values will add the respective color, negative values will remove it. All
pixels containing the color selected in pop-up menu will be adjusted
proportionately.
6 If you would like to change the saturation throughout the image, then
use the Saturation slider. e hues will remain the same, but all of the
colors will become either more or less strong, depending on whether
you choose a positive or negative setting, respectively.
7. e lower square updates to show the effects your changes will have
on the color you selected in the preview. Continue to adjust the
settings until you are satisfied with the color shown in this box.
Note also the Apply checkbox. When this box is checked, the color
correction will be applied to your preview and saved image. Remove the
check to disable color correction without erasing your settings. Click on
the box to toggle the check.
e Reset button returns all color correction setting to neutral. It does
not affect any of your other FlexColor settings.
You can also view and edit settings made in the Color Correction
window by looking at the CC tab in the Setup window. e color
correction settings are saved and loaded together with all of the other
settings in the Setup window, so you can keep a library of your favorite
settings by saving a new Setup file for each one. See “Managing Setups”
on page 36 for more information.
If you are using the Gradations window to lighten the image, then you
may notice that the saturation decreases. To compensate, you may then
increase the saturation in the Color Correction window, which will make
the image look a bit darker again. Avoid entering a cycle in which you
repeat each of these settings until both windows are set to extremes.
Extreme settings will typically degrade your image.
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