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In the signal path, delay and reverb are routed in series i.e. the
dry signal plus any delay is sent to the reverb input.
Mode
>Off: No effect. All other parameters will not be visible.
> Reverb: Standard reverb effect with predelay (see “Prede-
lay” parameter below).
> Feedback 1: Reverb effect with a feedback loop in the pre-
delay line, thus allowing multiple reverb tails.
> Feedback 2: The same as Feedback 1, except that the first
reverb tail appears immediately.
Type
> Ambience, Small Room, Large Room, Hall: Different types
of room simulations, in order of size. This parameter affects
the so-called “early reflections”.
Send
Accessible from the panel via the SEND knob.
> Dry, 1 to 126, Wet: Effect send. Actually a cross-fade
between dry and wet – the overall level remains fairly con-
stant. Modulation destination “Reverb Send”.
Clock
> Off, 1/64 ... 3/4: Used to synchronize Predelay to the Clock
(see “Predelay” below). Expressed as a 4/4 bar division.
Time
Accessible from the panel via the TIME / COLOR knob
> 0 to 127: The length of the reverb tail. Modulation destina-
tion “Reverb Time”.
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