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Oberheim Matrix-12 - How Volume and Velocity Work; Brightness Modulation by Velocity

Oberheim Matrix-12
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Option
#2
A
second
alternative
which
may
work
just
as
well
-
and
remember,
you're
still
experimenting
-
is
to
apply
VEL
to
the
AMP
of
ENV
2
(which
is
controlling
VCA
2)
instead
of
VCA1.
Select
ENV
2
and
set
its
AMP
amount
to
about
25.
VCA
2
is
the
last
circuit
in
the
Patch
before
the
sound
is
fed
to
the
synthesizer's
AUDIO
OUTPUTS.
Its
normal
setting
is
0
because
it
is
almost
always
modulated
by
ENV
2
-a
common
Source
for
providing
loudness
articulation.
VEL
may
be
applied
to
the
AMP
of
ENV
2
but
be
careful.
Interference
from
other
Sources,
such
as
Volume
Pedal
control
by
PEDAL
1,
may
make
Velocity
ineffective.
How
"Volume"
and
"Velocity"
Work
Velocity
and
the
VCA
parameters
work
hand-in-hand
and,
depending
on
their
initial
settings
and
the
routings
of
other
modulations
in
the
Patch.
If
the
Value
of
VCA
1
is
set
to
63,
Velocity
will
seem
to
have
little
or
no
effect
if
you
give
it
a
positive
Value. This
is
because
at
a
Value
of
63,
VCA1
is
set
as
loud
as
it
will
go
and
Velocity
cannot
make
it
any
louder.
Also,
if
VCA1
is
given
low
Values,
positive
Velocity
settings
will
require
very
hard
playing
all
the
time
or
some
notes
will
seem
to
"drop
out11
and
not
be
heard.
You
should
plan
to
spend
some
time
experimenting
to
find
the
right
combination
of
values
to
suit
your
particular
need.
Velocity
performance
also
relies
on
the
amount
values
you
give
it
for
"Scale"
and
-Sensitivity"
(see
MASTER
PAGE
MISC.
VELOCITY
SCALE
and
SENSITIVITY).
Using
extremes
in
the
available
Values
may
yield
unusable
results.
For
example,
setting
VCA
1
to
0
and
+63
for
VELOCITY
in
the
Modulation
Page
will
be
almost
useless
if
the
Sensitivity
is
set
to
maximum.
The
resulting
dynamic
range
may
be
too
wide
to
be
of
any
real
use.
Brightness
Modulation
by
VELOCITY
Velocity
is
also
commonly
used
to
increase
the
"brightness"
of
the
Patch.
It
is
a
common
occurance
with
acoustic
instruments
that
harder
playing
not
only
produces
more
volume
but
a
brighter
sound
as
well.
This
is
accomplished
in
synthesizers
like
the
MATRIX-12
by
applying
Velocity
to
the
VCF
FREQ
parameter:
Option
#1
1.
Select
the
VCF/VCA
Sub-Page
and
set
FREQ
to
a
VALUE
X
between
30
and
60.
When
adding
Velocity
to
an
existing
Patch,
reduce
its
initial
FREQ
amount
by
approximately
1/3
to
1/2,
for
best
results.
2.
Press
the
button
beneath
FREQ
in
the
display.
Apply
VEL
as
a
Modulation
Source.
VEL
will
appear
in
the
display
next
to
ENV
1.
Set
the
VALUE
X
amount
of
VEL
to
+63
as a
starting
point.
This
particular
example
shows
how
Velocity
can
modulate
the
VCF
Frequency
independent
of
ENV
1.
As
mentioned
in
the
Ground
Rules,
VEL
and
ENV
1
are
summed
together
in
this
case.
Another
approach
would
be
to
scale
ENV
1
AMPby
Velocity
as
we
did
previously
in
creating
volume
dynamics
with
Velocity:
Matrix-12
Owner's
Manual
147

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