Oberheim Matrix-12 - The Unit as the Slave

will double the notes from the first Slave in all the previous examples. But
independent control of each synthesizer can occur simultaneously from the
MATRIX-12's Keyboard.
Option 3: 3-Way Split MATRIX-12 Keyboard
Slave #2 Lower, Slave #1 Middle, MATRIX-12's Voices Upper.
MATRIX-12 Assignments -
1. All Voices still play polyphonically fron ZONE 1. Do not change
VASSIGN.
2. ZONE 1 Settings:
Pagei- LIMITS = 84 T0127
The MATRIX-12 is now set to play from the top Octave only.
Page 2 - The following parameters should be enabled only:
KEYBOARD
VOICE ROB (ootionah
Be sure that MIDI OUTis disabled.
3. ZONE 2 Settings:
Pagei- MODE s ROTATE
LIMITS s 60 TO 83
CHANNEL = 1
Slave #1 is now set to play from the MATRIX-12's middle two
Octaves.
Page 2- MIDI OUT
KEYBOARD CONTROLLERS
4. ZONE 3 Settings:
We will use ZONE 3 to play the Slave #2. Set it to receive on Channel 2.
Setting up ZONE 2 as follows will play the Slave from the MATRIX-12*s
Lower two Octaves only:
By changing CHANNELirom O/WW/to 2, this ZONE will
transmit on Channel 2 as it will now over-ride what has been
set as the MATRIX-12's Basic Channel.
Page 2- MIDI OUT
KEYBOARD CONTROLLERS
The MATRIX-12 as the Slave
For the following examples, you will need to return to our experimental MULTI
Patch. As a Slave in a MIDI system, the MATRIX-12 offers an enormous amount of
flexibility in the way that it can be controlled from a Master instrument. Even if the
Matrix-12 Owner's Manual 181