Oberheim Matrix-12 - Page 177

2. Select VOICES 7-12. All six Voices will still be selected.
Select a 2-digit Patch number on the Keypad that you want to be
played from the Upper half of the Keyboard.
Assign the Voices
3. EnterV. ASSIGN.
Assign VOICES 7-12 to ZONE 2, leaving VOICES 1 -6 still assigned to
ZONE1.
Define the Zones
4. Select ZONE 1.
Set its LIMITSlo 36 TO 60.
Select ZONE 2.
Set its LlMlTSXo 61 TO 96.
The MATRIX-12 will now play two different Patches, one from the Upper
Keyboard and one from the Lower, split at Middle C with six Voices assigned to
each half. This is called a "6/6" Split (six Voices Lower and six Voices Upper) and
can be modified as follows:
Variations
5. Any combination of Voice Assignments can be used to re-define the
Split. A M1 n 1M, "2/10", "3/9H and so forth can be obtained by
re-assigning the Voices in V. ASSIGN.
6. The Split Point can be re-located. Just be sure that the upper LIMITS
number of the ZONE 1 is adjacent to the lower LIMITS of the ZONE
2. As just one possibility:
ZONE1 LIMITS = 36 TO 51
ZONE 2 LIMITS = 52 TO 96
Just keep in mind that if the upper LIMITS number of ZONE 1 is not
adjacent to the lower LIMITS number of ZONE 2, the note numbers
not specified will not play on the MATRIX-12's Keyboard. As just one
possibility:
ZONE1 LIMITS = 36 TO 48
ZONE 2 LIMITS = 54 TO 96
In this instance, note numbers 49 (C#), 50 (D), 51 (Eb), 52 (E) and 53
(F) will not play because they have not been specified to either Zone.
7. The Split can be set so that there is an area of the Keyboard that
overlaps. Just set the upper LIMITS number of the ZONE 1 to be
higher than the lower LIMITS of the ZONE 2. As just one possibility:
ZONE1 LIMITS = 36 TO 54
ZONE 2 LIMITS = 48 TO 96
In this instance, note numbers 49 (C#), 50 (D), 51 (Eb), 52 (E) and 53
(F) will pFay both Patches as a layered sound because they have been
specified to both Zones.
Matrix-12 Owner's Manual 177