Roland INTEGRA-7

SuperNATURAL Synth Tone (SN-S) – OSC tab
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Parameter Value Explanation
OSC tab
Partial Switch OFF, ON Use these buttons to turn on the partial that you want to be heard.
Wave
SAW
This waveform contains a sine wave fundamental plus a xed proportion of sine wave harmonics at
all integer multiples of that fundamental.
SQR
This waveform contains a sine wave fundamental plus a xed proportion of sine wave harmonics at
odd-numbered multiples of that fundamental.
PW-SQR
The overtone structure of this waveform will vary signicantly depending on the width of the
upper portion of the waveform (Pulse Width).
TRI
This waveform contains a sine wave fundamental plus a xed proportion of sine wave harmonics at
even-numbered multiples of that fundamental.
SINE
This is a sine wave. This is a waveform that produces just a single frequency; it is the basis of all
sound.
NOISE
This waveform contains all frequencies. It is suitable for percussion instrument sounds or sound
eects.
SUPER SAW (SP-SAW)
This produces a tone similar to seven sawtooth waves heard simultaneously. Pitch-shifted sounds
are added to the center sound. It is suitable for strings sounds, and for creating thick sounds.
PCM This is a PCM waveform.
Wave Variation A, B, C
You can select variations of the currently selected WAVE.
* This has no eect for SP-SAW or PCM.
Wave Number 1–450
Selects the PCM waveform.
* This is valid only if PCM is selected for OSC Wave.
Wave Gain -6, 0, +6, +12 [dB]
Species the gain (amplitude) of the waveform.
The value will change in 6 dB (decibel) steps. Each 6 dB increase doubles the gain.
* This is valid only if PCM is selected for OSC Wave.
Pulse Width Mod Depth 0–127
Species the amount (depth) of LFO applied to PW (Pulse Width).
If the OSC Wave has selected (PW-SQR), you can use this slider to specify the amount of LFO
modulation applied to PW (pulse width).
* If the Ring Switch is on, this has no eect on partials 1 and 2.
Pulse Width 0–127
Species the pulse width.
If the OSC Wave has selected (PW-SQR), you can use this slider to specify the width of the upper
portion of the square wave (the pulse width) as a percentage of the entire cycle.
Decreasing the value will decrease the width, approaching a square wave (pulse width = 50%).
Increasing the value will increase the width, producing a distinctive sound.
* If the Ring Switch is on, this has no eect on partials 1 and 2.
Pulse Width Shift 0–127
Shifts the range of change. Normally, you can leave this at 127.
* If the Ring Switch is on, this has no eect on partials 1 and 2.
Super Saw Detune 0–127
Species the amount of pitch dierence between the seven sawtooth waves layered within a
single oscillator.
* Higher values will increase the pitch dierence. (OSC Detune applies an equal amount of pitch
dierence between each of the seven sawtooth waves.)
* If the Ring Switch is on, this has no eect on partials 1 and 2.
* This is valid only if SP-SAW is selected for OSC Wave.
PITCH tab
OSC Pitch -24–+24 Adjusts the pitch in semitone steps.
OSC Detune -50–+50 Adjusts the pitch in steps of one cent.
Pitch Env Attack Time 0–127
Species the attack time of the pitch envelope.
This species the time from the moment you press the key until the pitch reaches its highest (or
lowest) point.
Pitch Env Decay Time 0–127
Species the decay time of the pitch envelope.
This species the time from the moment the pitch reaches its highest (or lowest) point until it
returns to the pitch of the key you pressed.
Pitch Env Depth -63–+63 This species how much the pitch envelope will aect the pitch.
Octave Shift -3–+3 Species the octave of the tone.
Pitch Bend Range Up 0–+24
Species the amount of pitch change that occurs when the pitch bend/modulation lever is moved
all the way to the right.
Pitch Bend Range Down 0–-24
Species the amount of pitch change that occurs when the pitch bend/modulation lever is moved
all the way to the left.
FILTER tab
FILTER Mode
BYPASS, LPF1, LPF2, LPF3, LPF4, HPF,
BPF, PKG
Selects the type of lter.