Roland INTEGRA-7

82
MFX Parameters
25: Hexa-Chorus
Uses a six-phase chorus (six layers of chorused sound) to give
richness and spatial spread to the sound.
Balance W
Balance W
L in
R in
L out
R out
Hexa Chorus
Balance D
Balance D
Parameter Value Explanation
Pre Delay 0.0–100.0 ms
Adjusts the delay time from the
direct sound until the chorus sound
is heard.
Rate #
0.05–10.00 Hz,
note
Frequency of modulation
Depth 0–127 Depth of modulation
Pre Delay
Deviation
0–20
Adjusts the dierences in Pre Delay
between each chorus sound.
Depth Deviation -20–+20
Adjusts the dierence in modulation
depth between each chorus sound.
Pan Deviation 0–20
Adjusts the dierence in stereo
location between each chorus
sound.
0: All chorus sounds will be in the
center.
20: Each chorus sound will be
spaced at 60 degree intervals
relative to the center.
Balance #
D100:0W
–D0:100W
Volume balance between the direct
sound (D) and the chorus sound (W)
Level 0–127 Output Level
26: Tremolo Chorus
This is a chorus eect with added Tremolo (cyclic modulation of
volume).
Tremolo Chorus
L in
R in
L out
R out
Balance D
Balance D
Balance W
Balance W
Parameter Value Explanation
Pre Delay 0.0–100.0 ms
Adjusts the delay time from the
direct sound until the chorus sound
is heard.
Chorus Rate #
0.05–10.00 Hz,
note
Modulation frequency of the chorus
eect
Chorus Depth 0–127
Modulation depth of the chorus
eect
Tremolo Rate #
0.05–10.00 Hz,
note
Modulation frequency of the
tremolo eect
Tremolo
Separation
0–127 Spread of the tremolo eect
Tremolo Phase 0–180 deg Spread of the tremolo eect
Balance #
D100:0W
–D0:100W
Volume balance between the direct
sound (D) and the tremolo chorus
sound (W)
Level 0–127 Output Level
27: Space-D
This is a multiple chorus that applies two-phase modulation in stereo.
It gives no impression of modulation, but produces a transparent
chorus eect.
L in
R in
Space D
Space D
L out
R out
2-Band
EQ
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
Parameter Value Explanation
Pre Delay 0.0–100.0 ms
Adjusts the delay time from the
direct sound until the chorus sound
is heard.
Rate #
0.05–10.00 Hz,
note
Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0–180 deg Spatial spread of the sound
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance #
D100:0W
–D0:100W
Volume balance between the direct
sound (D) and the chorus sound (W)
Level 0–127 Output Level
28: Overdrive
This is an overdrive that provides heavy distortion.
L in
R in
L out
R out
Pan R
Pan L
Amp
Simulator
2-Band
EQ
Overdrive
Parameter Value Explanation
Drive # 0–127
Degree of distortion
Also changes the volume.
Tone # 0–127 Sound quality of the Overdrive eect
Amp Sw OFF, ON Turns the Amp Simulator on/o.
Amp Type
SMALL, BUILT-IN,
2-STACK, 3-STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Pan # L64–63R Stereo location of the output sound
Level 0–127 Output Level
29: Distortion
This is a distortion eect that provides heavy distortion. The
parameters are the same as for “28: Overdrive.”
L in
R in
L out
R out
Pan R
Pan L
Amp
Simulator
2-Band
EQ
Distortion