Roland INTEGRA-7

89
MFX Parameters
47: Overdrive -> Delay
L in
R in
Delay
Overdrive
L out
R out
Balance W
Balance W
Balance D
Balance D
Feedback
Parameter Value Explanation
Overdrive
Drive #
0 –127
Degree of distortion
Also changes the volume.
Overdrive Pan # L64–63R
Stereo location of the overdrive
sound
Delay Time 0–2600 ms, note
Adjusts the delay time from the
direct sound until the delay sound
is heard.
Delay Feedback
#
-98–+98 %
Adjusts the proportion of the delay
sound that is fed back into the
eect. Negative “-” settings will
invert the phase.
Delay HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the eect will be
cut. If you do not want to cut the
high frequencies, set this parameter
to BYPASS.
Delay Balance #
D100:0W–
D0:100W
Adjusts the volume balance
between the sound that is sent
through the delay (W) and the
sound that is not sent through the
delay (D).
Level 0 –127 Output Level
48: Distortion -> Chorus
The parameters are essentially the same as in “45: Overdrive g
Chorus,” with the exception of the following two.
OD Drive g Dst Drive, OD Pan g Dst Pan
L in
R in
Chorus
Distortion
L out
R out
Balance W
Balance W
Balance D
Balance D
49: Distortion -> Flanger
The parameters are essentially the same as in “46: Overdrive g
Flanger,” with the exception of the following two.
OD Drive g Dst Drive, OD Pan g Dst Pan
L in
R in
Flanger
Distortion
L out
R out
Balance W
Balance W
Balance D
Balance D
Feedback
50: Distortion -> Delay
The parameters are essentially the same as in “47: Overdrive g
Delay,” with the exception of the following two.
OD Drive g Dst Drive, OD Pan g Dst Pan
L in
R in
Delay
Distortion
L out
R out
Balance W
Balance W
Balance D
Balance D
Feedback
51: OD/DS -> TouchWah
Amp
Simulator
2-Band
EQ
L in
R in
Overdrive/
Distortion
L out
R out
Touch
Wah
Parameter Value Explanation
Drive Switch OFF, ON Turns overdrive/distortion on/o
Drive Type
OVERDRIVE,
DISTORTION
Type of distortion
Drive # 0–127
Degree of distortion
Also changes the volume.
Tone # 0–127 Sound quality of the Overdrive eect
Amp Sw OFF, ON Turns the Amp Simulator on/o.
Amp Type
SMALL, BUILTIN,
2-STACK,
3-STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Touch Wah
Switch
OFF, ON Wah on/o
Touch Wah Filter
Type
LPF, BPF
Type of lter
LPF: Produces a wah eect in a
broad frequency range.
BPF: Produces a wah eect in a
narrow frequency range.
Touch Wah
Polarity
DOWN, UP
Direction in which the lter will
move
UP: Move toward a higher frequency
DOWN: Move toward a lower
frequency
Touch Wah
Sens #
0–127
Sensitivity with which the lter is
modied
Touch Wah
Manual #
0–127
Center frequency at which the wah
eect is applied
Touch Wah
Peak #
0–127
Width of the frequency region at
which the wah eect is applied
Increasing this value will make the
frequency region narrower.
Touch Wah
Balance #
D100:0W–
D0:100W
Volume balance of the sound that
passes through the wah (W) and the
unprocessed sound (D)
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Level 0–127 Output Level