Roland INTEGRA-7 - Page 76

76
MFX Parameters
Specications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in
inches) and the number of units.
Type Cabinet Speaker Microphone
SMALL 1 small open-back enclosure 10 dynamic
SMALL 2 small open-back enclosure 10 dynamic
MIDDLE open back enclosure 12 x 1 dynamic
JC-120 open back enclosure 12 x 2 dynamic
BUILT-IN 1 open back enclosure 12 x 2 dynamic
BUILT-IN 2 open back enclosure 12 x 2 condenser
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL STACK large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x 4 condenser
09: Phaser 1
A phase-shifted sound is added to the original sound and modulated.
R in
R out
L in
L out
Phaser
Mix
2-Band
EQ
Phaser
2-Band
EQ
Mix
Parameter Value Explanation
Mode
4-STAGE,
8-STAGE,
12-STAGE
Number of stages in the phaser
Manual # 0 –127
Adjusts the basic frequency from
which the sound will be modulated.
Rate #
0.05–10.00 Hz,
note
Frequency of modulation
Depth 0 –127 Depth of modulation
Polarity
INVERSE,
SYNCHRO
Selects whether the left and right
phase of the modulation will be the
same or the opposite.
INVERSE: The left and right phase
will be opposite. When using a mono
source, this spreads the sound.
SYNCHRO: The left and right phase
will be the same. Select this when
inputting a stereo source.
Resonance # 0 –127 Amount of feedback
Cross Feedback -98–+98 %
Adjusts the proportion of the
phaser sound that is fed back into
the eect. Negative “-” settings will
invert the phase.
Mix # 0 –127 Level of the phase-shifted sound
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Level 0 –127 Output Level
10: Phaser 2
This simulates an analog phaser of the past.
It is particularly suitable for electric piano.
L in
R in
L out
R out
Phaser
2-Band EQ
2-Band EQ
Phaser
Parameter Value Explanation
Rate # 0–100 Frequency of modulation
Color 1, 2 Modulation character
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Level 0–127 Output Level
11: Phaser 3
This simulates a dierent analog phaser than Phaser 2.
It is particularly suitable for electric piano.
L in
R in
L out
R out
Phaser
2-Band EQ
2-Band EQ
Phaser
Parameter Value Explanation
Speed # 0–100 Frequency of modulation
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Level 0–127 Output Level