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Chapter 7: Advanced technique for mixing
Track 1
Track 2
Track 3
Track 4
Track 5
Track 6
Track 7
Track 8
Track 9
Track 10
Track 11
Track 12
Physical tracks
V.TRK 1
V.TRK 2
V.TRK 3
V.TRK 4
V.TRK 5
V.TRK 6
V.TRK 7
V.TRK 8
V.TRK 9
V.TRK 10
V.TRK 11
GT-SOLO1
GT-SOLO2
GT-SOLO3
GT-SOLO4
Virtual tracks
You can also assign these recorded virtual tracks to multiple physical tracks simultaneously. This function is
useful when you wish to use the edit functions (see page 80) to extract the best parts from each track to create
a final take.
Track 1
Track 2
Track 3
Track 4
Track 5
Physical tracks
GT-SOLO1
GT-SOLO2
GT-SOLO3
GT-SOLO4
GT-SOLO5
Virtual tracks
Digital ping-pong recording
A “ping-pong recording” is an operation that enables you to mix multiple tracks and record the mix onto another
track. The DPS12 performs ping-pong recording within the digital domain. The following section explains how to
mix physical tracks 1–10 signals into stereo and ping-pong record to physical tracks 11–12.
1. While playing back data on the DPS12, use the channel faders 1–10 and [PAN] controls to adjust the
level and panning for TRACK MIX channels 1–10. If necessary, select TRACK MIX channels in Mixer
mode to set the EQ and other mix parameters.
At this time, use the [MASTER] fader so that the LR level meters (the output level of Master L/R) do not reach
the maximum level.
2. Press the
SOURCE
[F3] key in Assign mode.
The DPS12 displays a screen in which you can assign input signals to each track (physical track).
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