EVS Multicam Version 10.01 – Operating Manual
EVS Broadcast Equipment SA – July 2009
Issue
10.01.F
153
15.2.3 HOW TO HIGHLIGHT VIDEO MATERIAL
1. Select the material that you wish to highlight (this may be a clip, or
simply a cued replay).
2. Position the material on the field corresponding to the target start point
and place the pen on the tablet.
At this point the tracking object will appear on the screen. If the tracking
object is an arrow, it will appear slightly off the cursor position, so that
the object remains visible.
3. When the circle is positioned correctly, mark a keyframe:
o by pressing the button of the stylus,
o by clicking on the M sign on the monitoring screen
The K will now appear in the upper left corner indicating that a keyframe
has been marked.
4. Re-position the material, and mark the next keyframe, and so on...
When the final keyframe has been marked, the replay can be re-cued.
When the replay is animated, the illustration will appear with a dissolve
effect at the first keyframe and disappear, with a dissolve effect, at the last.
Run through the material in Loop mode and the effect can now be retrieved
and stored as a new clip with the target tracking.
This can be repeated several times to include multiple circles. Refer to Loop
explanation on page 17.
15.2.4 RULES WHEN USING KEYFRAMES
1. The first / last keyframes can be at the IN / OUT points of the clip.
2. If, when a replay is viewed, the action is not accurately followed, stop
the replay where the tracking object has drifted away from the target and
use the pen to move the circle to the correct point, marking an additional
keyframe. This can be done as many times as necessary.
3. When checking / modifying a track, the arrows that appear at the bottom
left of the screen may be used to select the next/previous marked
keyframe.
4. If one keyframe is to be erased, use the arrows to get to the appropriate
keyframe and then select ERASE (E). Erasing ALL keyframes can be
done using RESET (R).
5. If working in network mode, target tracking can be performed on remote
clips as well as local clips.
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