LEVEL
ENVELOPE LEVEL 1
--'1
03 - Envelope Level 1
04 - Envelope Level 2
05 - Envelope Level 3
09 - Envelope Level 4
07 - Envelope Level 5
08 - Envelope Level 6
09 - Envelope Level 7
10
- Envelope Level 8
11
- Envelope Level 9
Section 4 - Algorithms
TIME
Ranges: 00 to 99
These
parameters
control the
output
tap
levels sequenced in time across the density from
input
to
output. Envelope
Levell
is
tapped
right after the diffusers
and
before the echoes (see
the
topology).
If
this is undesirable,
set
Envelope
Levell
to
00.
Envelope Levels 8
and
9 are
positioned
at
the
very
end
of
the
Density; setting these too high can cause excessive ringing.
Envelope Levels 8
and
9 are also
very
dry. Set all nine tap levels to find the envelope for
your
application. We recommend the average Envelope Level
not
to exceed a value of
45
to
prevent
overdriving
these
two
reverbs.
12 - NonLin HF Damping
Range: 00 to 99
The
HF
Damping
is located
within
the density. This parameter selects the
amount
of
high
frequency
energy
to
be
filtered out.
13 - NonLin HF Bandwidth Range:
01
to 99
The
high
frequency
bandwidth
parameter
acts as a low pass filter on the
output
signal,
controlling
the
amount
of
high
frequencies
that
will
be
heard. The
higher
the setting the
more
high
frequencies are
heard
. This works
the
same
way
that a tone control
would
work
on
a
guitar
.
14 - NonLin Diffusion1 Range: 00 to
99
This
parameter
smears
the
input
signal transients of higher frequency ranges. Higher values are
recommended
for smoother percussion. Very low values will give a
highly
repetitive echo-like
sound.
Diffusionl
and
2 exist
within
each diffuser block (see diagram).
15 - NonLin Diffusion2
Range: 00 to
99
Diffusion2 is similar to Diffusionl,
but
offers control of lower frequencies.
In
general a setting of
50
can
be
considered
an
equal
mix
of
dry
/ diffused sound; this setting is a
good
starting point.
ENSONIQ DP/4 Musician's Manual
71
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