73
Section 3. Using effects
Section 3
By adding varied-phase portions to the direct
sound, the phaser effect gives a whooshing,
swirling character to the sound.
* This effect can be used when the FX “Type” parameter
is set to “PHASER.”
On/Off OFF, ON
This parameter turns the phaser effect on/off.
Rate 0 – 100
This sets the rate of the Phaser effect.
Depth 0 – 100
Determines the depth of the Phaser effect.
Manual 0 – 100
Adjusts the center frequency of the phaser effect.
Resonance 0 – 100
Determines the amount of resonance (feedback).
Increasing the value will emphasize the effect,
creating a more unusual sound.
Adjust the distortion and tone of the guitar
sound.
* When all Bass, Middle and Treble are set to “0,” no
sound may be produced depending on the “Type”
setting.
On/Off OFF, ON
Turns the preamp effect on/off.
Type
This sets the type of the preamp. The distortion
and tone characteristics of each amp are as shown
below:
Volume 0 – 100
Adjusts the volume and distortion of the amp.
Bass 0 – 100
Adjusts the tone for the low frequency range.
Middle 0 – 100
Adjusts the tone for the middle frequency range.
* If you have selected “MATCH” or “VO DRV” as the
type, the middle control will have no effect.
Treble 0 – 100
Adjusts the tone for the high frequency range.
Presence 0 – 100
Adjusts the tone for the ultra high frequency
range.
* If you have selected “MATCH” or “VO DRV” as the
type, raising presence will cut the high range (the value
will change from “0” to “-100”).
Master 0 – 100
Adjusts the volume of the entire preamp.
PHASER (FX)
PREAMP (AMP)
Type
Explanation
JC-120
The sound of the Roland “JC-120,” a
favorite of pro musicians around the
world.
CLEAN The sound of a conventional built-in
tube amp.
CRUNCH Allows you to obtain a crunch effect
that creates a natural distortion.
MATCH A simulation of the tube amp widely
used in styles from blues and rock.
VO DRV Allows you to obtain the Liverpool
sound of the 60’s.
BLUES A lead sound with a rich middle ideal
for Blues.
BG LEAD The sound of a tube amp typical of
the late ’70s to ’80s, characterized by
a distinctive mid-range.
MS The sound of a large tube amp stack
that was indispensable to the British
hard rock of the 70’s, and is used to
this day by many hard rock guitar-
ists.
1 A trebly sound created by using
input I of the guitar amp.
2 A mild sound created by using
input II of the guitar amp.
1+2 The sound of connecting inputs
I and II of the guitar amp in par-
allel, creating a sound with a
stronger low end than I.
SLDN A tube amp sound with versatile dis-
tortion, usable in a wide range of
styles.
METAL The sound of a large tube amp, suit-
able for heavy metal.
METAL D A high gain and powerful metal
sound.
Type Explanation
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