Morpheus Operation Manual176
Z-PLANE FILTER DESCRIPTIONS
F009 Flange 6R.4
This is a variation of filter 008, Flange 6.4. It is a bit more reso-
nant-sounding, due in part to higher ‘Q’ settings. Sweeping the
Morph axis can produce the syllable ‘yi’.
Morph: Sweep filter frequency bands up and together when
modulated in a positive direction.
Freq. Tracking: Sweep filter frequency bands up and together when
modulated in a positive direction.
Transform 2: Not used.
F010 Flanger 7.4
A series of harmonically related notches is moved from the lower-
midrange to the upper-midrange as this filter is moved along the
Frequency Tracking axis. Morphing brings in the flanging effect
Morph: Use this to sweep the notches.
Freq. Tracking: Use this to tune the notches.
Transform 2: Not used.
F011 BriteFlnge.4
A series of notches, tuned in octaves, are swept upward and finally
converge at 19.5kHz as this filter is pushed up along the Morph
axis. A small bump at about 15kHz is introduced to maintain
brightness when Morph is at completely offset.
Morph: Increasing this value sweeps the filter notches upward and
together.
Freq. Tracking: Increasing this value raises the lowpass filter cutoff
point.
Transform 2: Not used.
F012 Flng>Flng1
Morph: Sweeps from flange 1 to flange 2
Freq. Tracking: Provides key tracking to maintain spectrum.
Transform 2: Provides volume and brightness control with velocity
and/or key position
Comments: Key tracking enhances the depth of the flange. Try
adding velocity to Frequency Tracking for more “Fun”.
F013 0>Flng2
Morph: Reveals flat to flange filter
Freq. Tracking: Provides key tracking to maintain spectrum
Transform 2: Adds volume, different flange
Comments: Nice for introducing a subtle flange to a pure sound.
Velocity has a natural effect increasing flange depth, volume and
brightness.
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