Chapter 11: Reference Section 189
Z-PLANE FILTER DESCRIPTIONS
F084 0>Muter
Morph: Introduces “Mute”.
Freq. Tracking: Provides key tracking to fix partials.
Transform 2: Selects “Mute” variety.
F085 PZ Syn Horn
Morph: Controls brightness.
Freq. Tracking: This moves the harmonic modifiers higher in
frequency.
Transform 2: This makes a modest change in brightness (fine
tuning).
Comments: This filter models the harmonic content of a synth
horn, thus will lend a synth horn sound to other samples.
F086 HP Brass
Generally, each frame in this filter cube provides either a steep
rolloff of low frequencies or a sharp boost of high frequencies,
with one axis arriving at flat response. Note that with Transform 2
set to 255, the polarity of the sweep along the Morph axis is
reversed. This filter can be a good choice when you need a sharp
accentuation of high-frequency material.
Morph: Sweeps the highpass filter, with direction dependent on
setting of Transform 2.
Freq. Tracking: Higher values produce thinner, brighter sounds.
Transform 2: Sweeps the highpass filter, with direction dependent
on setting of Morph Offset.
F087 BrassyBlast
This filter provides several responses similar to that of a lowpass
filter, but with the addition of a gentle bump in the midrange to
upper-midrange.
Morph: Use to sweep the filter.
Freq. Tracking: Adds a resonant bump at about 200Hz, which
flattens out as the value is moved upward.
Transform 2: Works similarly to Frequency Tracking, but adds a
gentle bump at about 8kHz as the offset is increased.
Comments: A very smooth-sounding filter, great for brass-type
filter sweep effects.
F088 BrassSwell
Similar to a lowpass filter, but multiple resonant peaks give this
one a bit of a vocal, phase-shifter-like quality.
Morph: Use to sweep the filter.
Freq. Tracking: Tunes the filter.
Transform 2: Higher values add midrange “beef” and resonance.
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