Chapter 11: Reference Section 205
F168 CntrySweep4
Multiple peaks are swept in a variety of directions, imparting a
phase-shifter-like, almost vocal quality when this filter is
morphed.
Morph: Set this higher to move widely spaced peaks closer to-
gether.
Freq. Tracking: Set this higher to move low-frequency peaks
towards the higher ranges.
Transform 2: Not used.
F169 Diffuser4
Morphing this filter upward sweeps a resonant peak up in fre-
quency and increases low frequency content. The Frequency
Tracking parameter can be used to tune the peak.
Morph: Use to tune the resonant peak and control low-frequency
content.
Freq. Tracking: Use to ‘tune’ the resonant peak and control low-
frequency content.
Transform 2: Not used.
F170 MdlySweep4
Morphing this filter upward sweeps several resonant peaks up in
frequency. The Frequency Tracking parameter can be used to tune
the peaks.
Morph & Freq. Tracking: Tune the resonant peaks.
Transform 2: Not used.
F171 StrongShimr
This filter produces several deep notches in the frequency spec-
trum, which can be tuned or swept according to the settings and
modulators for the Morph Offset, Frequency Tracking, and Trans-
form 2 parameters.
Morph: Raising this value lowers the frequency of the notches,
producing thinner sounds.
Freq. Tracking: Raising this value lowers the frequency of the
notches, producing thinner sounds.
Transform 2: Raising this value raises the frequency of the
notches, producing fatter sounds.
F172 Acc.Vel-1
Morph: Fixes soft “Start-point”.
Freq. Tracking: Provides key tracking to balance keyboard bright-
ness.
Transform 2: Controls brightness and volume.
Comments: Velocity cube. Use Morph to establish soft start point.
Z-PLANE FILTER DESCRIPTIONS
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