PAN PAGE.......................................................................................................... 71
THE TUNE PAGE.................................................................................................. 73
MODULATION PAGES .......................................................................................... 74
PITCH BEND ........................................................................................... 74
LFO1 ..................................................................................................... 76
SETTING LFO1 MODULATION DEPTH.......................................................... 79
LFO2 ..................................................................................................... 80
SETTING UP THE SOFT PEDAL .................................................................. 83
PORTAMENTO ........................................................................................ 84
KEYGROUP PARAMETERS - CREATING KEYGROUPS............................................... 87
MAPPING OUT YOUR KEYGROUPS - SETTING KEYSPAN .............................. 90
ASSIGNING SAMPLES TO KEYGROUPS AND ZONES - SMP1...................................... 92
SMP2..................................................................................................... 95
SMP3..................................................................................................... 97
THE FILTERS ...................................................................................................... 98
ENV1 - SHAPING AMPLITUDE................................................................................ 101
ENV2 - SHAPING THE FILTER ................................................................................ 103
USING THE FILTER AND ENVELOPE GENERATORS...................................... 104
THE SECOND FILTERS ......................................................................................... 105
CREATING 24db/8ve 4-POLE LOWPASS FILTER........................................... 109
THE TONE PAGE ..................................................................................... 111
ENV3................................................................................................................. 113
KEYGROUP PITCH/AMPLITUDE MODULATION......................................................... 114
EDIT MULTI ..................................................................................... 116
SCREEN DIFFERENCES IN EDIT MULTI ................................................................... 116
SAMPLE MODE................................................................................. 118
WHAT IS SAMPLING?........................................................................................... 118
RECORD MODE................................................................................................... 120
THE MAIN RECORD PAGE..................................................................................... 123
NAMING SAMPLES FOR RECORDING ..................................................................... 123
ADJUSTING THE RECORDING AND THRESHOLD LEVELS .......................................... 125
RECORDING ON THE S3200XL............................................................................... 125
DIGITAL RECORDING........................................................................................... 126
EDIT SAMPLE .................................................................................. 128
NAMING SAMPLES - COPYING AND RENAMING ....................................................... 130
DELETING SAMPLES ........................................................................................... 131
TRIMMING SAMPLES ........................................................................................... 132
LOOPING........................................................................................................... 136
LOOP AUTO FIND AND CROSSFADE LOOPING......................................................... 137
MAKING A GOOD LOOP............................................................................ 139
LEVEL NORMALISATION ...................................................................................... 141
DSP FUNCTIONS - TIMESTRETCH, RE-SAMPLING AND EQ......................................... 142
TIMESTRETCH ........................................................................................ 142
PERFORMING A TIMESTRETCH ................................................................. 145
RE-SAMPLING ........................................................................................ 146
PERFORMING A RE-SAMPLE..................................................................... 147
EQ........................................................................................................ 148
EQ’ING A SAMPLE................................................................................... 150
USING THE EQ........................................................................................ 150
FURTHER EDITING FUNCTIONS ............................................................................. 151
THE PARAMETER PAGE ........................................................................... 151
REVERSING SAMPLES............................................................................. 153
SECTIONAL EDITING ............................................................................... 154
THE JOIN PAGE ...................................................................................... 157
SPLICING SAMPLES................................................................................ 157
CROSSFADING ....................................................................................... 158
MIXING AND LAYERING SAMPLES............................................................. 158
SETTING DIGITAL FADES ......................................................................... 160
EFFECTS MODE................................................................................ 162
ORGANISATION OF EFFECTS FILES....................................................................... 164
ASSIGNING EFFECTS TO SINGLE PROGRAMS ........................................................ 165
ASSIGNING EFFECTS TO MULTI PARTS.................................................................. 167
ASSIGNING EFFECTS TO INDIVIDUAL KEYGROUPS................................................. 169
PROCESSING EXTERNAL SOUND SOURCES THROUGH THE EFFECTS........................ 170