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Antelope Pico - Crosslog Sig; Offset; Check Status; Multi Matrix

Antelope Pico
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Operating Guide 34
Antelope Camera Systems
4.10.2.4 Crosslog Sig.
Set the video format input standard for the crosslock synchronization . Select the respective
item by turning the Select dial (Q), then press the Select dial (Q) once. The arrow indicates the
active item. By turning the Select dial (Q) you change the settings. Confirm your settings by
pressing the Select dial (Q) once.
Format
Values are
1080i50
1080p50
1080p25
4.10.2.5 H. Offset
Use this function to compensate possible horizontal phase shifts of the genlock signal.
Values range from -2000 to +2000
Select the menu item by turning the Select dial (Q), then press the Select dial (Q) once. By turning
the Select dial (Q) you change the settings. Confirm your settings by pressing the Select dial (Q)
once.
4.10.2.6 V. Offset
Use this function to compensate possible vertical phase shifts of the genlock signal.
Values range from -2000 to +2000
Select the menu item by turning the Select dial (Q), then press the Select dial (Q) once. By turning
the Select dial (Q) you change the settings. Confirm your settings by pressing the Select dial (Q)
once.
4.10.2.7 Check Status
Shows the status of the genlock synchronization.
Values are
disabled - genlock synchronization is turned off
failed - genlock synchronization timing error
synced - camera is in genlock
4.10.3 Multi Matrix
Multi Matrix has been developed for further creative control in color adjustments. Unlike conventional
color correction or matrix control, in which all color control parameters interact with each other, the
Multi Matrix function allows color adjustments to be applied only over the color range designated by
the operator. The color spectrum is divided into 16 areas of adjustment, where the hue and/or
saturation of each area can be modified. For example, the hue and saturation of a shirts red petal
can be changed, while keeping other colors unchanged. In addition to such special effects work, this
function is also useful for matching color among multiple cameras, or for reproducing the color
characteristics of another camera
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