Korg RK-100S - Arpeggiator Edit window; Master Effect Edit window; Copying or exchanging parameters

11
PROGRAM
CROSS (CROSS MODULATION): Cross Modulation uses the output waveform
of oscillator 2 (the modulator) to modulate the frequency of oscillator 1 (the
carrier) at high speed to produce a modulated sound. The waveform selected by
“WAVE” will be the carrier.
OSC2
OSC1
Cross Mod Depth
OSC2
output
OSC1
output
OSC1
Freq Mod
UNISON: Unison simulates skewing the pitch of ve stacked oscillators from
within a single oscillator, to create a richer sound.
OSC1–1
OSC1–2
OSC1–3
OSC1 Output
Unison Detune
OSC1–4
OSC1–5
VPM (VARIABLE PHASE MODULATION): VPM produces metallic-sounding
overtones, using a sine wave at a harmonic (integer) multiple of oscillator 1’s
fundamental to modulate the phase of oscillator 1.
Note: If “WAVE” is FORMANT, NOISE, PCM/DWGS, or AUDIO IN, you won’t
be able to select CROSS, UNISON, or VPM.
Oscillator 1 Control 1 [000...127/–63...+63/---]
Oscillator 1 Control 2
[000...127/–63...+63/LPF63...CNT...HPF63/001...032/---]
The function controlled by this knob is determined by the “WAVE” and “OSC
MOD” seings.
Note: Some seings may produce noise.
Note:
For OSC1.C1 and OSC1.C2, the parameter and seings will depend on the
selected “WAVE” and “OSC MOD.” You should also refer to the following
table when assigning Oscillator 1 Control 1 or Oscillator 1 Control 2 to
“virtual patch,” or GLOBAL “CC# MAP.”
WAVE OSC MOD C1 (OSC1 Control 1) C2 (OSC1 Control 2)
Saw WAVEFORM C1. WAVEFORM C2. LFO 1 MOD
CROSS C1. MOD DEPTH C2. LFO 1 MOD
UNISON C1. DETUNE C2. PHASE
VPM C1. MOD DEPTH C2. HARMONICS
Pulse WAVEFORM C1. PULSE WIDTH C2. LFO 1 MOD
CROSS C1. MOD DEPTH C2. LFO 1 MOD
UNISON C1. DETUNE C2. PHASE
VPM C1. MOD DEPTH C2. HARMONICS
Triangle WAVEFORM C1. WAVEFORM C2. LFO 1 MOD
CROSS C1. MOD DEPTH C2. LFO 1 MOD
UNISON C1. DETUNE C2. PHASE
VPM C1. MOD DEPTH C2. HARMONICS
Sine WAVEFORM C1. WAVE SHAPE C2. LFO 1 MOD
CROSS C1. MOD DEPTH C2. LFO 1 MOD
UNISON C1. DETUNE C2. PHASE
VPM C1. MOD DEPTH C2. HARMONICS
FORMANT WAVEFORM C1. F.WIDTH C2. F.SHIFT
NOISE WAVEFORM C1. RESONANCE C2. LPF/HPF
PCM/DWGS WAVEFORM C2. WAVE SELECT
AUDIO IN WAVEFORM C1. GAIN