25
PROGRAM
Note:
This parameter will be displayed and can be set only if “BPM SYNC” is O.
SYNC NOTE [8/1...1/64]
This species the ratio of the LFO frequency relative to the tempo specied by
the TAP buon. The specied value (note value) corresponds to one cycle. For
example if this is set to 1/4, one cycle of the LFO will occupy one beat. If this is
set to 3/4, one cycle of the LFO will occupy three beats.
Note:
This parameter will be displayed and can be set only if “BPM SYNC” is On.
VIRTUAL PATCH
To let you create even more sophisticated sounds, the RK-100S provides ve virtual
patches. Each patch consists of three parameters: the source of the modulation
(“SOURCE”), the destination where that modulation will apply (“DESTINATION”),
and the intensity of that modulation eect (“INT”). You can produce a variety
of changes in the sound by combining these parameters. For example by seing
“SOURCE” to LFO2, “DESTINATION” to CUTOFF1, and specifying the amount of
eect using “INT,” you can produce a cyclic change in tone (wah eect) produced
by LFO2.
Virtual Patch
On modular analog synthesizers, the input or output of each module (oscillator,
lter, amp, EG, LFO, and other controllers) could be connected (“patched”) by a
patch cord to any other module as desired, allowing you a great deal of freedom
in creating the sound. The Korg MS Series (MS-20, MS-50, MS-10, etc.) went on
sale in 1978 and featured this type of patching. The RK-100S lets you perform
this patching “virtually” (i.e., without using physical patch cords), so you can
assign sources such as EG or LFO to the most important parameters (destinations).
SOURCE [FILTER EG...MIDI Control 3]
Selects a modulation source
FILTER EG, AMP EG, ASSIGNABLE EG: Filter EG, Amp EG, or Assignable EG.
LFO1, LFO2: LFO1 or LFO2
Velocity: Keyboard velocity (playing dynamics)
Short Ribbon (Pitch): Short Ribbon Controller (SHORT RIBBON buon lit up
in green)
Short Ribbon (Modulation): Short Ribbon Controller (SHORT RIBBON buon
lit up in red)
Keyboard Track: Keyboard tracking (position)
Note:
Keyboard tracking works according to the pitch as controlled by pitch
bend, transpose, and the modulation sequencer. It does not reect pitch
changes produced by vibrato or virtual patching
MIDI Control 1, MIDI Control 2, MIDI Control 3:
The function specied for the
GLOBAL MIDI parameters “MIDICtrl1,” “MIDI Control 2,” or “MIDI Control
2.” (See page 34)
Long Ribbon (Filter): Long Ribbon Controller (FILTER buon lit up)
DESTINATION [Pitch...Long Ribbon (Filter) Int]
Selects the parameter (destination) that will be controlled by the modulation.
For example if you select Tune, modulation will be applied to the overall pitch
of the timbre.
Pitch The pitch of the entire timbre.
OSC 2 Tune OSC2 “TUNE”
OSC 1 Control 1 OSC1 Contorol1 see page 11)
OSC 1 Level MIXER “OSC1”
OSC 2 Level MIXER “OSC2”
NOISE Level MIXER “NOISE”
Filter 1 Balance FILTER1 “BALANCE”
Filter 1 Cuto FILTER1 “CUTOFF”
Filter 1 Resonance FILTER1 “RESONANCE”
Fiter 2 Cuto FILTER2 “CUTOFF”
Drive/WS Depth DRIVE/WS “DEPTH”
Amp Level AMP “LEVEL”
Panpot AMP “PAN”
LFO 1 Frequency LFO1 “FREQUENCY”
LFO 2 Frequency LFO2 “FREQUENCY”
Portamento PITCH “PORTAMENTO TIME”
OSC 1 Control 2 OSC1 CONTROL2 see page 11)
Filter 1 EG1 Int. FILTER1 “EG INT”
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