Korg RK-100S - Global Data Management; Interface Elements and Favorite Programs; Global Data Transfer and File Handling

20
RK-100S parameter guide
TYPE [LPF, HPF, BPF]
Selects the lter type. See page 18“BALANCE”
LPF, HPF, BPF: These are the same lter types as for lter 1
EG INT [–63...+63]
This is the same as for FILTER 1. See page 19“EG INT”
KEY TRACK [–2.00...+2.00]
This is the same as for FILTER 1. See page 19“KEY TRACK”
VELO SENS [–63...+63]
This is the same as for FILTER 1. See page 19“VELO SENS”
ROUTING
Filter Routing [Single, Serial, Parallel, Individual]
Species the routing (connection) between lter 1 and lter 2
Single: Only lter 1 is used.
Seria: Filter 1 and lter 2 are connected in series.
OSC1
Filter1
OSC2
Noise
Filter2
Parallel: Filter 1 and lter 2 are connected in parallel.
OSC1
Filter1
OSC2
Noise
Filter2
Individual: Filter 1 is applied to oscillator 1, and lter 2 is applied to oscillator 2
and noise.
OSC1
Filter1
OSC2
Noise
Filter2
FILTER EG
Here is where you can adjust the seings for the lter EG that causes the sound
to vary over time. Adjust the EG seings in this section, and then use lter 1 “EG
INT” (see page 19) and lter 2 “EG INT” to specify the amount of the eect
that the EG will have. Use the ADSR (Aack, Decay, Sustain, Release) seings to
adjust the desired curve for the tone.
Note:
FILTER EG can be used as a virtual patch source, allowing you to modulate
a parameter other than volume (see page 25).
0
Attack Level
Time
Note on
Note o
Cuto
[1]: Attack Time [3]: Sustain Level
[2]: Decay Time [4]: Release Time
[1]
[3]
[4]
[2]
EG1
EG (Envelope Generator)
To a signicant extent, each sound has its own distinctive volume curve. For example
when you play a note on a piano, the note begins at the maximum volume, and gradually
diminishes. When you release your nger from the key, the sound will disappear quickly
with a brief decay. Volume curves such as this are an important aspect of how we identify
the sound of a specic instrument. This type of change also occurs in the tone and pitch,
as well as in the volume. On a synthesizer, this type of change is produced by an EG. The
RK-100S has dedicated EGs for the lter and for the amp. However since these EGs can be