Arturia mini v User Manual

USER’S MANUAL

Arturia mini v Specifications

General

Brand	Arturia
Model	mini v
Category	Recording Equipment
Language	English

Summary

From the First Bob Moog's Synthesizers Up To TAE

1.2 A Better Emulation Thanks to TAE®

1.2.1 Aliasing-free Oscillators

Describes how TAE® provides aliasing-free oscillators.

1.2.2 Better Reproduction of Analog Waveforms

Explains TAE®'s reproduction of analog waveforms.

1.2.3 Better Reproduction of Analog Filters

Details TAE®'s filter emulation.

1.2.4 Implementation of the Soft Clipping

Explains soft clipping emulation.

Activation & First Start

2.1 Register & Activate

Steps to register and activate the software.

Quick Start

3.1 Using the Presets

How to load and select presets.

3.3 Overview of the "Classic" Mode

Description of the Classic mode interface.

3.4 The "Extended" Mode

Introduction to the Extended mode features.

3.4.1 The Modulation Matrix

Details on the modulation matrix.

3.4.2 The LFO

Explanation of the Low Frequency Oscillator.

3.5 The Arpeggiator Section

How to use the arpeggiator.

3.6 The Effects Section

3.6.1 The Chorus

Details on the Chorus effect.

3.6.2 The Delay

Details on the Delay effect.

3.7 Real Time Controllers and MIDI Assign

How to assign MIDI controls.

The Interface

4.1 Use of Presets

How to manage presets.

4.1.1 Choice of a bank, sub-bank, preset

Navigating presets by bank and sub-bank.

4.1.3 Saving a user preset

How to save custom presets.

4.2 The Sound Map

Overview of the preset explorer.

4.3 Use of Controllers

4.3.5 MIDI Control

Overview of MIDI controller integration.

4.3.5.1 Learn Menu

Accessing MIDI assignment functions.

4.3.5.2 Assigning MIDI Controls

Step-by-step MIDI control assignment.

The Synthesizer

5.1 The Oscillators

Detailed explanation of the three oscillators.

5.2 The Mixer

How the mixer combines sound sources.

5.3 The Filter and Its Envelope

Details on the filter and its envelope generator.

5.4 The Output Volume and Its Envelope

Explanation of the VCA and its envelope.

5.5 The Polyphonic Mode, The Playing Modes

Features of polyphonic and playing modes.

5.7 The Motion Recorder

5.7.3 Recording a Parameter Motion Curve

5.7.8 Editing a Motion Curve

5.8 The Vocal Filter

5.9 The Low Frequency Generator

5.10 The Modulation Matrix

5.11 The Arpeggiator

5.12 The Chorus and Stereo Delay

The Basics of Subtractive Synthesis

6.1 The Three Main Elements

6.1.1 The Oscillator, or VCO

6.1.4 The Filter or VCF

6.1.4.1 The Cut-off Frequency

6.1.4.2 The Resonance

6.1.5 The Amplifier or VCA

6.2.2 The Envelope Generator

6.2.3 The Low Frequency Oscillator

Modes of Operation

8.1 Standalone

8.1.2 Configuration of the Instrument

8.2 VST 2

8.3 VST 3

8.4 RTAS

8.5 AU

8.7 Use in Cubase/Nuendo (VST)

8.8 Using in Pro Tools (RTAS)

8.9 Using in Logic, Mac OS X (AU)

8.10 Using in Ableton Live (AU and VST)