Axia Element - Sources for External 1 & 2 Section; Control Room Monitor (Monitor 1) Options; Control Room (Monitor 1) Headphone Options

5: Show Proles • 91
©2008 Axia Audio — Rev. 3.0
tor Section) or Retain Existing Setting.
PREVIEW SPEAKER MASTER GAIN: Lets you
Use up to -85 dB of attenuation on the Control
Room Preview speakers, turn gain adjustment Off,
or Retain Existing Setting.
SOURCE ID FOR EXTERNAL PREVIEW: Element’s
External Preview allows other devices to route audio
into the console’s Preview system (speakers and op-
erator headphones). Use this dropdown box to select
the External Preview source for this Show Profile.
What’s External Preview for? The word “Ex-
ternal” refers here to any source not generated
by the studio you’re working in. Let’s say you
have an intercom system that you want to feed
the console’s Preview channel. To do this, you
would take the GPO from the intercom and use
it to gate open the external preview input, which
would be fed by the intercom audio. Voila!
TALKBACK GAIN: Use up to -30 dB attenuation or
10 dB gain on the contents of the Talkback bus. You
can also turn gain adjustment Off or Retain Exist-
ing Setting.
GPIO CHANNEL FOR EXTERNAL PROFANITY
DELAY: Enter the Channel Number of the GPIO port
connected to your station’s Profanity Delay Unit.
This assigns the Delay keys on the Element Master
Module to control your external delay unit.
Sources for External 1 & 2 Section
SOURCE ID FOR EXTERNAL INPUT 1: Use the
dropdown box to specify a source for Monitor 1, Ex-
ternal Input 1.
SOURCE ID FOR EXTERNAL INPUT 2: Use the
dropdown box to specify a source for Monitor 1, Ex-
ternal Input 2.
Control Room Monitor (Monitor 1) Options
MONITOR ASSIGNMENT: Choose to load PGM1,
PGM2, PGM3, PGM4, AUX A, AUX B, AUX C, AUX
D, EXT1, EXT 2 or No Source if you wish the Pro-
file to be loaded with nothing assigned to Monitor 1.
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CR MONITOR MASTER GAIN: Allows you to Use
as much as -85 dB of gain reduction on the audio sig-
nal sent to the Monitor 1 Speakers. You can also turn
gain control Off or Retain Existing Setting.
SIGNAL MODE: CR MONITOR lets you set the au-
dio feed to the Monitor 1 speakers to Stereo, Left,
Right, Sum or Retain Existing Setting.
CR MONITOR DIM GAIN: Specify the amount of
volume by which the Monitor 1 speakers will dim
when Talk To... or Preview is in use. Use as much
as -30 dB of cut, turn the option Off, or Retain Ex-
isting Setting.
GPIO CHANNEL FOR CR MONITOR: In this box,
you assign Monitor 1 a channel number, effectively
making it a “source” to which logic commands – to
activate Mute, Dim, tally lights – can be associated.
You’ll enter this channel number in the GPIO Setup
web page to assign a GPIO port for these logic fun-
tions. See Chapter Three, “GPIO Configuraton,” for
more information.
This option should typically be programmed with
the same logic channel number for all show profiles
on a single Element, since this function is primarily
used for “on-air” warning light control.
Control Room (Monitor 1) Headphone Options
MONITOR ASSIGNMENT: Choose to load PGM1,
PGM2, PGM3, PGM4, AUX A, AUX B, AUX C, AUX
D, EXT1, EXT2 or No Source if you wish the Pro-
file to be loaded with nothing assigned to the board
op’s headphones.
CR HEADPHONES MASTER GAIN: Allows you to
Use as much as 85 dB of gain reduction on the au-
dio signal sent to the Control Room headphones. You
can also turn gain control Off or Retain Existing
Setting.
SIGNAL MODE: CR HEADPHONE: Set the audio
feed to the Control Room headphones to Stereo,
Left, Right, Sum or Retain Existing Setting.
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