Axia Element - Channel Description Section

5: Show Proles • 87
©2008 Axia Audio — Rev. 3.0
specied an EQ boost of 2 dB @ 1200 Hz in the
Source Prole for the Control Room Host mic;
checking the Retain Source Setting option
here in the Channel Description Screen allows
that previously-dened EQ setting to “ride along”
when the source is loaded — without your hav-
ing to specify it again.
Channel Description Section
SOURCE ID: The name of the source you assigned
to this fader. You can change the source using the
drop-down box.
FEED TO SOURCE MODE: Specify PGM-1/2/3/4,
AUX SEND A/B/C/D or AUTO mix-minus for this
source, or Retain Source Setting. Choosing Auto
for any phone source feeds the caller PGM-1 minus
when the fader is On, and Phone (PGM-4 pre-fad-
er) when the fader is Off.
AUTO-START TIMER: Determines whether turning
this fader on will start/reset the Event Timer. You
can Enable, Disable or Retain Source Setting.
SIGNAL MODE: Choose from Stereo, Left (left
channel fed to both sides), Right (right channel fed
to both sides), Sum (sum L+R to mono and feed to
both sides) or Retain Source Setting.
SIGNAL MODE LOCK: Unlock or Lock the tal-
ent’s ability to change the Signal Mode, or Retain
Source Setting.
PANORAMA POSITION: Use Pan/Balance adjust-
ment for this source, or Retain Source Setting.
PHASE: Adjust for phase errors. May be set to Nor-
mal, Invert Left, Invert Right, Invert Left And
Right, or Retain Source Setting.
EQ ACTIVE: Make EQ Active for this fader/dource
combo, Bypass it, or Retain Source Setting.
EQ HIGH MODE: Switches high-frequency EQ
mode between Shelf and Bandpass (peak), or Re-
tain Source Setting.
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EQ HIGH FREQUENCY: You can specify the top of
the High Frequency Shelf, or the middle frequency
of the Bandpass filter (depending upon which mode
was chosen for EQ High Mode), or Retain Source
Setting.
EQ MID FREQUENCY / EQ LOW FREQUENCY:
Choose the middle frequency of the Low and Middle
EQ bands, or Retain Source Setting.
EQ HIGH GAIN / EQ MID GAIN / EQ LOW GAIN:
dial in boost or cut for the three EQ bands, or Retain
Source Setting.
Note: For details on Element EQ operations,
please refer to Chapter Two, “Working With
Sources.”
ASSIGN TO PGM1/2/3/4 and AUX A /B/C/D: Check-
ing ON for any of these buses assigns the fader to that bus
when the Show Profile is loaded. You can also choose OFF
or Retain Source Settings.
AUX A / AUX B / AUX C / AUX D PRE/POST
FADER: Allows you to send this fader’s source to the
specified Aux Send bus either Pre-Fader or Post-
Fader, or Retain Source Settings.
AUX SEND A/B/C/D GAIN: Turn this channel’s
feed to the specified Aux Send bus Off, specify up
to 10 dB of boost or 25 dB of cut, or Retain Source
Settings.
NOISE GATE STATUS: Turns the Noise Gate in the
Omnia Dynamics Processing on and off. Specify
Active or Bypass, or choose Retain Source Set-
ting. (Only applies to Mic sources.)
COMPRESSOR STATUS: Turns the compressor in
the Omnia Dynamics Processing on and off. Specify
Active or Bypass, or choose Retain Source Set-
ting. (Only applies to Mic sources.)
DE-ESSER STATUS: Turns the de-essing function in
the Omnia Dynamics Processing on and off. Specify
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