GLOBAL
1.1
2.1 3.1 4.1 5.1 6.1
111
1.1–3a: Input1
1.1–3b: Input2
Level (Input Level) [0...127]
The analog audio signal from AUDIO INPUT 1 and 2 is con-
verted by an AD converter from an analog signal to a digital
signal. This parameter sets the signal level immediately after
the sound has been converted into a digital signal. Normally
you will set this to 127. If the sound is still distorted even
after this level is lowered significantly, it is possible that the
sound is distorting before the AD converter. Adjust the
[INPUT] knob or the output level of the external audio
source.
Pan (Input Pan) [L000...C064...R127]
Sets the panning of the signal from AUDIO INPUT 1 and 2.
When inputting a stereo audio signal, you will normally set
Input 1 to L000 and Input 2 to R127 (or, Input 1 to R127 and
Input 2 to L000). When inputting a monaural audio signal,
normally set this to C064.
BUS(IFX/Indiv.) Select (Input BUS Select)
[L/R, IFX1…5, 1, 2, 3, 4, 1/2, 3/4, Off]
In the same way as for the oscillators of a program, this
parameter specifies the bus to which the external input of
AUDIO INPUT 1 and 2 will be sent (
☞8. Effect Guide, Insert
Effect “2–4. Audio Input”).
Send1(Input Send1), Send2(Input Send2) [000...127]
In the same way as for the oscillators of a program, this
parameter specifies the send levels from the external input
of AUDIO INPUT 1 and 2 to the master effects. If “BUS
(IFX/Indiv.) Select” is set so that an insert effect is being
applied to the external input, the send levels to the master
effects are set after the signal passes through IFX1–5 by “S1
(Send1 (MFX1),” “S2 (Send2 (MFX2)” (7.1–1). (
☞8. Effect
Guide, Master Effect “2–4. Audio Input.”)
When the “BUS (IFX/Indiv.) Select” setting is other
than Off and the “Level” value is raised, the external
input sound will be input to the TRITON-Rack. If audio
cables are connected to the rear panel AUDIO INPUT 1
and 2 jacks at this time, noise will be input (even if there
is no incoming audio signal) into the TRITON-Rack,
and, depending on your settings, in some cases may be
output from the AUDIO OUTPUT L/MONO, R, 1, 2, 3,
4 jacks. If you are not using an external audio input
source, and are only playing programs, combinations,
or multi etc. that use the TRITON-Rack’s internal
sounds, turn “BUS (IFX/Indiv.) Select” Off, or set
“Level” to 0.
If audio cables are not connected to the rear panel
AUDIO INPUT 1 and 2 jacks, the input data that passes
from the AD converter into the TRITON-Rack will be
forced to zero, so that no noise will be input.
■ 1.1–3c: UTILITY
☞ “Write Global Setting,” “Change all bank references” (1.1–
1d)
2.1–1: MIDI
Here you can make MIDI-related settings that affect the
entire TRITON-Rack.
2.1–1a: MIDI Setup
MIDI Channel [1…16]
Sets the global MIDI channel.
The global MIDI channel is used in the following cases.
• When transmitting and receiving performance data in
Program (PROG 1.1: Play) and Sampling modes.
• When selecting combinations via MIDI in Combination
mode (COMBI 1.1: Play)
• When controlling timbres or effects that have been set to
Gch in various modes
• When transmitting and receiving system exclusive
messages
About MIDI reception
In Program (PROG 1.1: Play) and Sampling modes, MIDI
data is received on the global MIDI channel, but in Combi-
nation mode (COMBI 1.1: Play) or Multi mode, MIDI data is
received on the MIDI channel specified for each timbre or
track.
In Combination mode (COMBI 1.1: Play), program changes
received on the global MIDI channel will switch the combi-
nation.
Use the global MIDI channel to switch IFX 1–5, MFX1 and MFX2
on/off. To control the pan following IFX, sends 1/2, MFX 1/2
and MEQ, use the global MIDI channel in Program or Sampling
mode; in Combination, or Multi mode, use the channel specified
separately by Setup page (7.2–1)“Control Channel” for IFX1–5,
MFX1, MFX2, and MEQ. By setting “Control Channel” to Gch,
you can control these parameters from the global MIDI channel.
MIDI transmission when the TRITON-Rack’s controllers are
operated
In Program and Sampling modes, this data will be transmit-
ted on the global MIDI channel. In Combination mode, data
will be transmitted simultaneously on the global MIDI chan-
nel and on the MIDI channels of timbres whose “Status”
(COMBI 3.1–1) is set to EXT or EX2.
In Multi mode, this data will be transmitted on the channel
specified for the track (with a “Status” of BTH, EXT, or EX2)
that is selected as the “Control Track” (MULTI 1.1–1).
Local Control On
On (checked) (Local Control On): The REALTIME CON-
TROLS knobs [1]–[4], “SW1” and “SW2” of the TRITON-
Rack will control the internal tone generator. When the
arpeggiator is running, note-on/off messages from the
arpeggiator will be transmitted.
Off (unchecked) (Local Control Off): The REALTIME CON-
TROLS knobs [1]–[4], “SW1” and “SW2” of the TRITON-
Rack will be disconnected from the internal tone generator.
When the arpeggiator is running, note-on/off messages
1.1–3a
1.1–3b
1.1–3c
GLOBAL 2.1: MIDI
2.1–1a
2.1–1c2.1–1b
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