10
Knob1–B (Knob1–B Assign) [Off, ..., MIDI CC#95]
Knob2–B (Knob2–B Assign) [Off, ..., MIDI CC#95]
Knob3–B (Knob3–B Assign) [Off, ..., MIDI CC#95]
Knob4–B (Knob4–B Assign) [Off, ..., MIDI CC#95]
2.2–1b: SW1/2 Assign
These settings assign functions to [SW1] and [SW2] keys
(
☞p.213 “SW1, SW2 Assign List”).
SW1 Assign [Off, ..., AfterT Lock :N/A]
Here you can assign a function to the “SW1.”
The on/off status of the switch is saved when the program is
written. When you change the function, it will be reset to the
“off” state.
SW1 Mode [Toggle, Momentary]
Specifies the on/off state that will occur when you press the
[F6] (“SW1”) key in 1.1:Play.
Toggle: The key will alternate on/off each time you press
[F6] (“SW1”).
Momentary: The key will be on only while you continue
holding [F6] (“SW1”).
SW2 Assign [Off, ..., AfterT Lock :N/A]
SW2 Mode [Toggle, Momentary]
Here you can assign a function to “SW2.”
The functions that can be assigned to SW2 are the same as
for SW1, with the exception of SW2 Mod. (CC#81) instead of
SW1 Mod. (CC#80).
Although the following values can be selected for “SW1
Assign” and “SW2 Assign,” they will have no effect in
actuality.
Data is compatible between the TRITON-Rack and the
TRITON/TRITONpro/TRITONproX (keyboard mod-
els of the TRITON). Programs created on the TRITON-
Rack can be used by a TRITON keyboard model, and
vice versa.
In order to maintain compatibility, you are able to set
these “invalid” parameters on the TRITON-Rack.
N/A indicates Not Available.
■ 2.2–1c: UTILITY
☞ “Write Program” (1.1–1d), “Copy Oscillator,” “Swap
Oscillator” (2.1–1d)
This page will be displayed when you select bank I–F if the
separately sold EXB-MOSS option is installed.
(
☞EXB-MOSS owner’s manual & p.251 “EXB-MOSS
option”)
Here you can make pitch modulation settings for oscillators
1 and 2.
3.1–1: OSC1
Specifies how the keyboard location will affect the pitch of
oscillator 1, and select the controller that will modify the
pitch and the depth of this effect. Here you can also specify
the amount of pitch change caused by the pitch EG, and set
the portamento on/off and mode settings.
3.1–1a: Pitch
Pitch Slope [–1.0…+2.0]
Normally you will leave this at +1.0.
Positive (+) values will cause the pitch to rise as you play
higher on the keyboard, and negative (–) values will cause
the pitch to fall as you play higher on the keyboard.
With a value of 0, there will be no change in pitch, and the
C4 pitch will sound regardless of the keyboard location you
play.
How the Pitch Slope and pitch are related
Ribbon (#16) [–12…+12]
Specifies in semitone units how the pitch will change when
CC#16 is received (or when the ribbon controller is pressed
on a TRITON or other instrument connected to MIDI IN).
12 steps equal one octave. With positive (+) values, the pitch
will rise when you press the right half of a ribbon controller.
With negative (–) values, the pitch will fall.
For example, with a setting of +12, pressing the far right
edge of the ribbon controller will raise the pitch one octave.
With a setting of –12, pressing the far right edge of the rib-
bon controller will lower the pitch one octave.
At the center of the ribbon controller, the original pitch will
remain, so you can use this in conjunction with pressing the
ribbon at its right edge to simulate the “hammering-on”
techniques used by guitarists.
JS (+X) [–60…+12]
Specifies in semitone units how the pitch will change when
a pitch bender message is received (or when the joystick is
moved to the right on a TRITON or other instrument con-
nected to MIDI IN) (
☞p.222).
12 steps equal one octave.
Octave Down :N/A
Octave Up :N/A
JS X Lock :N/A
JS+Y Lock :N/A
JS-Y Lock :N/A
Ribbon Lock :N/A
JS X&Rbn Lock :N/A
JS+Y&Rbn Lock :N/A
JS-Y&Rbn Lock :N/A
AfterT Lock :N/A
PROG 2.3: Ed–OSC
PROG 3.1: Ed–Pitch
3.1–1a
3.1–1b
3.1–1c
3.1–1d
Pitch
Key
2oct
1oct
1oct
C4 C5
+2
+1
0
–1
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