Korg Triton-Rack

49
MULTI
1.1
2.22.33.13.23.33.44.14.24.34.45.16.17.17.27.3
3. Multi mode
In Multi mode, the TRITON-Rack functions as a multi-tim-
bral MIDI tone generator that can receive and play multiple
channel of MIDI messages from an external MIDI sequencer.
A “Multi” has sixteen tracks for playing back musical data.
You can assign a separate program and MIDI channel etc. to
each track, so that multiple programs can sound simulta-
neously.
In Multi mode you can also play patterns and use RPPR
(Realtime Pattern Play/Recording) or the arpeggiator, so
that these functions can be played in synchronization with
an external MIDI sequencer.
As patterns, the TRITON-Rack provides 150 preset patterns
that are ideal for drum tracks, and 100 user patterns that you
can record and edit or even use for recording with the arpeg-
giator.
When you execute the Sampling mode command “Time
Slice” (SMPL 3.1–2e), a pattern will be created for the
divided samples and this pattern will be assigned to
RPPR automatically.
By time-slicing two or more rhythm loop samples of
differing tempo and assigning them to RPPR, you can
match the tempo of the rhythm loop samples without
changing their pitch. Then you can use the keyboard of
a connected MIDI instrument to turn these rhythm loop
samples on/off, and use the REALTIME CONTROLS
[TEMPO] knob in C-mode to adjust the tempo in real-
time.
When you turn off the power, the settings and user pat-
tern data will be erased. If there is data that you wish to
keep, you must save it on a floppy disk, external SCSI
device, or data filer before turning off the power. Then
after you turn the power on again, you will need to
load the data that you saved. (
☞p.133, 113, BG p.40)
For details on how to select pages in Multi mode, refer to
p.1.
MULTI PAGE MENU
Play 1.1: Play Select multis. Select a program for each
track, and make pan and level settings.
(
☞p.50)
Ctrl 2.2: Controller Controller settings. (
☞p.53)
MOSS 2.3: MOSS Displayed if the separately sold EXB-MOSS
option is installed. Make EXB-MOSS parame-
ter settings. (
☞p.54)
Prm1 3.1: Param1 MIDI, voice mode, and pitch settings for each
track. (
☞p.56)
Prm2 3.2: Param2 Delay and scale settings for each track.
(
☞p.56)
KeyZ 3.3: Key Zone Key zone settings for each track. (
☞p.56)
VelZ 3.4: Vel Zone Velocity zone settings for each track. (
☞p.57)
MIDI1 4.1: MIDI
Filter1
MIDI message transmission/reception filter
settings for each track: Prog Change, After
Touch etc. (
☞p.58)
MIDI2 4.2: MIDI
Filter2
Filter settings: JS, Ribbon Ctrl etc. (
☞p.59)
MIDI3 4.3: MIDI
Filter3
Filter settings: Realtime Control Knob
(
☞p.60)
MIDI4 4.4: MIDI
Filter4
Filter settings: SW, Other Ctrl Change
(
☞p.60)
RPPR 5.1: RPPR Pattern recording and editing. RPPR settings.
(
☞p.61)
Arp 6.1: Arp. Arpeggiator settings. (
☞p.67)
BUS 7.1: BUS Set BUS and master effect send level for
each track.(
☞p.69)
IFX 7.2: InsertFX Insert effect routing, selection, and settings.
(
☞p.70)
MFX 7.3: MasterFX Master effect selection and settings. Master
EQ settings. (
☞p.71)