MULTI
1.1
2.22.33.13.23.33.44.14.24.34.45.16.17.17.27.3
59
4.1–3: 1–2..8 (MIDI Filter1–2 T01–08)
4.1–4: 1–2..16 (MIDI Filter1–2 T09–16)
4.1–3(4)a: Damper CC#64, Portamento SW CC#65
Damper CC#64 [Off, On]
Specifies whether or not MIDI control change message #64
Hold (damper pedal) will be received.
Portamento SW CC#65 [Off, On]
Specifies whether or not MIDI control change message #65
Portamento On/Off will be received.
■ 4.1–3(4)b: UTILITY
☞ “Memory Status,” “Rename Multi,” “Delete Multi,”
“Copy From Multi,” “Copy From Combi,” “Load Tem-
plate Multi,” “Save Template Multi” (1.1–1c)
4.2–1: M2–1..8 (MIDI Filter2–1 T01–08)
4.2–2: 2–1..16 (MIDI Filter2–1 T09–16)
4.2–1(2)a: JS+Y CC#01, JS-Y CC#02
JS+Y CC#01 [Off, On]
Specifies whether MIDI control change message #1 (speci-
fied as the B-mode assignment of REALTIME CONTROLS
knobs [1]–[4], or the +Y direction of a joystick on a TRITON
etc.) will be received.
JS-Y CC#02 [Off, On]
Specifies whether MIDI control change message #2 (speci-
fied as the B-mode assignment of REALTIME CONTROLS
knobs [1]–[4], or the –Y direction of a joystick on a TRITON
etc.) will be received.
■ 4.2–1(2)b: UTILITY
☞ “Memory Status,” “Rename Multi,” “Delete Multi,”
“Copy From Multi,” “Copy From Combi,” “Load Tem-
plate Multi,” “Save Template Multi” (1.1–1c)
4.2–3: 2–2..8 (MIDI Filter2–2 T01–08)
4.2–4: 2–2..16 (MIDI Filter2–2 T09–16)
4.2–3(4)a: JSX/Bend as AMS, Ribbon CC#16
JSX/Bend as AMS [Off, On]
This parameter specifies whether the effect of the AMS
(
☞p.205 “Alternate Modulation Source”) assigned to JS X
will be received when MIDI pitch bend messages (the X-axis
of the TRITON’s joystick, etc.) are received. (This is not a
reception filter for MIDI pitch bend messages.)
Ribbon CC#16 [Off, On]
Specifies whether MIDI control change message #16 (speci-
fied as the B-mode assignment of REALTIME CONTROLS
knobs [1]–[4], or the ribbon controller of a TRITON etc.) will
be received.
■ 4.2–3(4)b: UTILITY
☞ “Memory Status,” “Rename Multi,” “Delete Multi,”
“Copy From Multi,” “Copy From Combi,” “Load Tem-
plate Multi,” “Save Template Multi” (1.1–1c)
MULTI 4.2: MIDI Filter2
4.1–3a
4.1–3b
4.2–1a
4.2–1b
4.2–3a
4.2–3b