Korg Triton-Rack

24
5.3–1c: MIDI/Tempo Sync.
(Frequency MIDI/Tempo Sync.)
Sync. (MIDI/Tempo Sync.) [Off, On]
On (Checked): The LFO frequency will synchronize to the
tempo (MIDI Clock). In this case, the values you specified
for “Frequency” (5.3–1a) and “Freq.Mod” (5.3–1b) will be
ignored.
Base Note (Sync. Base Note)
[  ,   ,  ,   ,  ,   ,  ,  ]
Times (Sync. Times) [01...16]
When “Sync. (MIDI/Tempo Sync.).” is checked, these When
“Sync. (MIDI/Tempo Sync.)” is checked, these parameters
specify a note length “Base Note (Sync. Base Note)” relative
to “ (Tempo)” and the multiple “Times (Sync. Times)” that
will be applied to it. These parameters will determine the
frequency of the OSC1 LFO1. For example if “Base Note
(Sync. Base Note)” is  (quarter note) and “Times (Sync.
Times)” is 04, the LFO will perform one cycle every four
beats.
Even if you change the “ (Tempo)” setting of the arpeggia-
tor, the LFO will always perform one cycle every four beats.
■ 5.3–1d: UTILITY
☞ “Write Program” (1.1–1d)
For details on how to select the desired utility function, refer
to “PROG 1.1–1d: UTILITY.”
Swap LFO 1&2
This exchanges the settings of LFO 1 and 2. If LFO2 is
selected in AMS1 (Freq. AMS1) or AMS2 (Freq. AMS2) of
LFO1 Freq.Mod (5.3–1b), the settings will be invalid for
LFO2 after LFO1 and 2 have been exchanged. If you select
this from the OSC1 LFO1 or OSC1 LFO2 page, LFO1 and
LFO2 of OSC1 will be exchanged.
1 Select “Swap LFO 1&2” to access the dialog box.
2 To execute, press the [F8] (“OK”) key. To cancel without
executing, press the [F7] (“Cancel”) key.
5.3–2: OS1LFO2 (OSC1 LFO2)
Here you can make settings for the OSC1 LFO2, which is the
second LFO that can be applied to oscillator 1. (
☞“5.3–1:
OS1LFO1 (OSC1 LFO1)”) However, it is not possible to use
the LFO to apply modulation in “AMS1 (Freq. AMS1)” or
“AMS2 (Freq. AMS2)” of Freq. Mod.
5.3–3: OS2LFO1 (OSC2 LFO1)
This can be used when “Mode (Oscillator Mode)” (2.1–1a) is
set to Double. Here you can make settings for the OSC2
LFO1, which is the first LFO that can be applied to oscillator
2 (
☞“5.3–1: OS1LFO1 (OSC1 LFO1)”).
5.3–4: OS2LFO2 (OSC2 LFO2)
This can be used when “Mode (Oscillator Mode)” (2.1–1a) is
set to Double. Here you can make settings for the OSC2
LFO2, which is the second LFO that can be applied to oscil-
lator 2 (
☞“5.3–1: OS1LFO1 (OSC1 LFO1)” and “5.3–2:
OS1LFO2 (OSC1 LFO2)”).
Here you can make settings for the arpeggiator used by the
program.
These arpeggiator settings can be linked when you switch
programs. To link, check the Program item in “Auto Arp.
“Program” (GLOBAL 1.1–1c): On.
The arpeggiator can be switched on/off by the [ARP ON/
OFF] key. When on, the key LED will light.
The settings of the REALTIME CONTROLS C-mode
[TEMPO] knob, [ARP-GATE] knob, [ARP-VELOCITY]
knob, and [ARP ON/OFF] key can be saved for each pro-
gram.
These settings will be valid when Auto Arp. “Program”
is On.
You can control the arpeggiator from an external
sequencer, or record arpeggio note data on an external
sequencer. (
☞p.228)
“Pattern,” “Resolution,” “Octave,” “Sort,” “Latch,”
“Key Sync.,” “Keyboard,” and “ (Tempo)” can also be
set in the Arp. Play page of 1.1:Play.
6.1–1: Setup (Arpeg. Setup)
6.1–1a: Arpeggiator Setup
☞ Refer to BG p.85.
Pattern* [P000...P004, U000(I-A/B)...U327(E–H)]
Selects the arpeggio pattern.
P000–P004 are preset arpeggio patterns, U000 (I–A/B)–
U327(E–H) are user arpeggio patterns. User arpeggio pat-
terns can be created in GLOBAL 6.1.
PROG 6.1: Ed–Arp. (Arpeggiator)
P000: UP Preset Arpeggio Pattern
P001: DOWN Preset Arpeggio Pattern
P002: ALT1 Preset Arpeggio Pattern
P003: ALT2 Preset Arpeggio Pattern
P004: RANDOM Preset Arpeggio Pattern
U000(I–A/B)...U199(I–A/B) (for Preloaded User Arpeggio Pattern)
U200(E–A)...U215(E–A), U216(E–B)...U231(E–B), U232(E–
C)...U247(E–C), U248(E–D)...U263(E–D), U264(E–E)...U279(E–E),
U280(E–F)...U295(E–F), U296(E–G)...U311(E–G), U312(E–
H)...U327(E–H)
(for EXB-PCM series, User Arpeggio Pattern)
6.1–1a
6.1–1b