16
AMS (Filter EG AMS) [Off, (EXT)]
Selects the source that will control the depth and direction of
the effect that the time-varying changes produced by the fil-
ter 1 EG will have on the cutoff frequency of filters 1A and
1B (
☞p.206 “AMS List”).
Int. to A (AMS Int. to A) [–99…+99]
Specifies the depth and direction of the effect that “AMS
(Filter EG AMS)” will have on filter 1A. For details on how
this will apply, refer to “Int. to A (Intensity to A).”
Int. to B (AMS Int. to B) [–99…+99]
Specifies the depth and direction of the effect that “AMS
(Filter EG AMS)” will have on filter 1B. For details on how
this will apply, refer to “Int. to A (Intensity to A).”
The sum of the settings for “Int. to A (B),” “Vel to A
(B),” and “Int. to A (B) (AMS Int. to A/B)” will deter-
mine the depth and direction of the effect produced by
the filter EG.
■ 4.1–2c: UTILITY
☞ “Write Program” (1.1–1d), “Copy Oscillator,” “Swap
Oscillator” (2.1–1d)
4.1–3: Mod.2 (Filter1 Modulation2)
Indicates settings for the controller that will modify the tone
by applying modulation to the filter 1 cutoff frequency “Fre-
quency (A/B Frequency).”
If “Type (Filter Type)” (4.1–1a) is Low Pass Resonance, the
filter B parameters will not be displayed.
4.1–3a: Filter Modulation
Filter–A:
AMS1 (Filter A AMS1) [Off, (PEG, AEG, EXT)]
Selects the source that will control modulation of the filter
1A cutoff frequency (
☞p.206 “AMS List”).
Intensity (A AMS1 Intensity) [–99…+99]
Specifies the depth and direction of the effect that “AMS1
(Filter A AMS1)” will have.
When “AMS1 (Filter A AMS1)” is JS X, a positive (+) value
for this parameter will cause the cutoff frequency to rise
when the joystick is moved toward the right, and fall when
the joystick is moved toward the left. With a negative (–)
value for this parameter, the opposite will occur.
This value is added to the setting of the Filter A “Frequency
(A Frequency)”(4.1–1b).
AMS2 (Filter A AMS2) [Off, (PEG, AEG, EXT)]
Intensity (A AMS2 Intensity) [–99…+99]
Selects “AMS2 (Filter A AMS2),” and specify the depth and
direction of the effect that the selected source will have
(
☞“AMS1,” “Intensity”).
Filter–B:
This will be displayed when “Type (Filter Type)” (4.1–1a) is
Low Pass & High Pass.
Two alternate modulation sources can be used to modulate
the cutoff frequency of filter 1B (
☞“Filter A”).
■ 4.1–3b: UTILITY
☞ “Write Program” (1.1–1d), “Copy Oscillator,” “Swap
Oscillator” (2.1–1d)
4.1–4: lfoMod (LFO Modulation)
Here you can use the filter 1 LFO to apply cyclic modulation
to the cutoff frequency of filter 1 (for oscillator 1) to create
cyclical changes in tone.
4.1–4a: Filter LFO1/2 Modulation
LFO1
Intensity to A (LFO1 Int. to A) [–99…+99]
Specifies the depth and direction of the modulation that
OSC1 LFO1 (set by “OSC1 LFO1” 5.3–1a) will have on the
cutoff frequency of filter 1A.
Negative (–) settings will invert the phase.
Intensity to B (LFO1 Int. to B) [–99…+99]
Specifies the depth and direction of the modulation that
OSC1 LFO1 will have on the cutoff frequency of filter 1B
(
☞“Intensity to A”).
JS–Y Int. to A (LFO1 JS–Y Int. to A) [–99…+99]
By receiving CC#2 (or by moving the joystick in the –Y
direction on a TRITON or other instrument connected to
MIDI IN), you can control OSC1 LFO1 to modulate the cut-
off frequency of filter 1A.
Specify the depth and direction of the effect.
For example, as this value is raised, OSC1 LFO1 will have a
correspondingly greater effect on filter 1 when the joystick is
moved in the –Y direction.
Changes in cutoff frequency
Softly played
(The setting of Intensity to A (4.1–2b))
Strongly played
Setting to –
Strongly played
Setting to +
Note-on
Note-off
Note-on
Note-off
Note-on
Note-off
4.1–3a
4.1–3b
4.1–4a
4.1–4b
Change in cutoff
Low setting High setting
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