MULTI
1.1
2.22.33.13.23.33.44.14.24.34.45.16.17.17.27.3
55
Portamento [PRG, Off, 001...127]
Specifies the portamento effect for each track 1–8, 9–16.
(
☞COMBI 3.1–2a)
When the track whose “Status” (3.1–1a/2a) is INT or
BTH, MIDI control change CC#05 (Portamento Time)
and CC#65 (Portamento Switch) can be received to con-
trol this and change the setting. (If the setting is PRG,
CC#05 Portamento Time will not be received.)
Tracks whose “Status” is BTH, EXT, or EX2 will trans-
mit these settings via MIDI when you change this set-
ting or when you change multis.
If this is Off, CC#65 with a value of 0 will be transmit-
ted. If this is 001–127, a CC#65 of 127 and CC#05 of
001–127 will be transmitted.
If this is set to PRG, nothing will be transmitted.
This data is transmitted on the MIDI channel specified
for each track by “MIDI Channel” (3.1–1a/2a).
■ 3.1–3(4)b: UTILITY
☞ “Memory Status,” “Rename Multi,” “Delete Multi,”
“Copy From Multi,” “Copy From Combi,” “Load Tem-
plate Multi,” “Save Template Multi” (1.1–1c)
3.1–5: Ptch..8 (Pitch T01–08)
3.1–6: Ptch..16 (Pitch T09–16)
Here you can make pitch-related settings for each track.
3.1–5(6)a: Transpose, Detune, Bend Range
Transpose [–24...+24]
Adjusts the pitch of each track in semitone steps.
12 steps are one octave.
Detune (BPM Adj.) [–1200... +1200]
Adjusts the pitch of each track in one-cent steps from the
normal pitch.
0: Normal pitch.
You can use the Utility “Detune BPM Adj.” (3.1–5/6b)
to make a calculation in BPM units and set Detune
automatically.
“Transpose” and “Detune” settings do not affect the
note data that is transmitted via MIDI. “Transpose” and
“Detune” are controlled by received MIDI RPN mes-
sages. The “Mode (Oscillator Mode)” (PROG 2.1–1a) of
the programs selected for tracks 1–16 will be controlled
as follows.
• If “Mode (Oscillator Mode)” is Single or Double,
MIDI RPN Coarse Tune messages can be received to
control and change the “Transpose” setting, and Fine
Tune messages to control and change the “Detune”
setting.
• If “Mode (Oscillator Mode)” is Drums, MIDI RPN
Coarse Tune and Fine Tune messages can be received
to control and change the “Detune” setting. The range
of control will be ±1 octave when Coarse Tune and
Fine Tune are added. These messages will be received
on the MIDI channel that is specified for each track by
“MIDI Channel” (3.1–1a/2a).
Bend Range [PRG, –24...+24]
Specifies the range of pitch change that will occur when the
MIDI Pitch Bend Change message is received.
PRG: The pitch range specified by the program will be used.
–24–+24: Regardless of the setting of the program, pitch
bending will use the range you specify here.
This setting can be controlled and changed by received
MIDI RPN Pitch Bend Range messages. (These mes-
sages will not be received if the setting is PRG.) This is
controlled on the MIDI channel specified for each track
by “MIDI Channel” (3.1–1a/2a).
■ 3.1–5(6)b: UTILITY
☞ “Memory Status,” “Rename Multi,” “Delete Multi,”
“Copy From Multi,” “Copy From Combi,” “Load Tem-
plate Multi,” “Save Template Multi” (1.1–1c)
For details on how to select the desired utility function, refer
to “PROG 1.1–1d: UTILITY.”
Detune BPM Adj. (Detune BPM Adjust)
If a drum program uses a multisample or sample of a phrase
or rhythm loop etc. that was created in Sampling mode (or
loaded in Disk mode) to match a specific BPM, you can use
this utility command to modify its BPM. “Detune BPM Adj.”
changes the BPM of a phrase or rhythm by modifying its
pitch.
This command is available for a track if the track “Detune”
parameter is selected. When you execute this command, the
selected “Detune” value will be set automatically (
☞PROG
2.1–2c, 2.1–3, GLOBAL 5.1–1b, 5.1–2).
For the procedure, refer to “Detune BPM Adj.” (COMBI 3.1–
3b).
3.1–5a
3.1–5b
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