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3.2–1: Othr..8 (Other T01–08)
3.2–2: Othr..16 (Other T09–16)
For each track, specify the delay time from note-on until the
sound is heard, and select the scale.
3.2–1(2)a: Delay [ms] , Use Prog’s Scale
Delay [ms] [0000...5000, KeyOff]
Specifies a delay time from when a track receives a note-on
until it actually sounds.
KeyOff: The sound will begin when note-off occurs. In this
case, the sound will continue indefinitely unless the amp EG
Sustain Level of the program is other than 0. This setting is
useful for simulating harpsichord sounds.
Normally you will leave this at 0.
Use Prog’s Scale [Off, On]
Each track can use the scale that is specified for the program
by “Scale” (PROG 2.1–1c).
On (Checked): The scale of the program will be used.
Off (Unchecked): The scale specified by “Type (Multi’s
Scale)” (3.2–1b/2b) will be used.
3.2–1(2)b: Scale
Specifies the scale that will be used for the multi.
Type (Multi’s Scale)
[Equal Temperament...User Octave15]
Selects the type of scale.
☞ “Type (Scale Type)” (PROG 2.1–1c)
Key [C…B]
Selects the tonic key of the selected scale.
☞ “Key” (PROG 2.1–1c)
Random [0…7]
As this value is increased, an increasingly random devia-
tion will be added to the pitch at each note-on.
☞ “Random” (PROG 2.1–1c)
■ 3.2–1(2)c: UTILITY
☞ “Memory Status,” “Rename Multi,” “Delete Multi,”
“Copy From Multi,” “Copy From Combi,” “Load Tem-
plate Multi,” “Save Template Multi” (1.1–1c)
Here you can specify the range of keys that will be sounded
by each track.
Top/Bottom Key settings specify the range of notes that will
be sounded by tracks 1–8, 9–16, and Top/Bottom Slope set-
tings specify the range from the top/bottom key until the
original volume is reached.
This setting does not affect MIDI transmission. All note
data produced by RPPR and the arpeggiator will be
transmitted.
3.3–1: Key..8 (Key Zone T01–08)
3.3–2: Key..16 (Key Zone T09–16)
3.3–1(2)a: Key Zone Map (1)
This shows the range of note data that will sound the cur-
rently selected track. The note range that will be sounded is
shown as a line, and the slope portion is grayed.
3.3–1(2)b: Top Key, Bottom Key
Top Key [C–1...G9]
Specifies the top key (upper limit) that will be sounded by
each track 1–8, 9–16.
Bottom Key [C–1...G9]
Specifies the bottom key (lower limit) that will be sounded
by each track 1–8, 9–16.
For a diagram of Key and Slope parameters, refer to
“COMBI 3.3: Ed-Key Zone.”
The value of these parameters can also be set by hold-
ing down the [ENTER] key and playing a note on a con-
nected MIDI instrument.
■ 3.3–1(2)c: UTILITY
☞ “Memory Status,” “Rename Multi,” “Delete Multi,”
“Copy From Multi,” “Copy From Combi,” “Load Tem-
plate Multim,” “Save Template Multi” (1.1–1c)
MULTI 3.2: Param2 (Parameter2)
3.2–1a
3.2–1b
3.2–1c
MULTI 3.3: Key Zone
3.3–1a
3.3–1b
3.3–1c
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