Appendices
255
9 Set parameters in other pages.
Set the various parameters in the same way as for tim-
bres that do not use bank I-F programs (☞p.31).
However, the parameters listed below will function as
follows if a bank I-F program is used by a timbre.
•“OSC Select” will be ignored. (COMBI 3.1: Ed-Param1,
OSC page)
• The range of “Detune (BPM Adj.)” will be +/-100. Even
if the absolute value of the setting is greater than 100,
the actual detune value will be +/-100 cents. (COMBI
3.1: Ed-Param 1, Pitch page)
• The Key Zone/Vel Zone “Top Slope” and “Bottom
Slope” will be ignored. (COMBI 3.3: Key Zone, Slope
page)
Multi mode
You can select bank I-F programs to be played by incoming
data from an external sequencer etc. or from the keyboard of
a connected MIDI instrument.
As for a combination, you can use separate bank I-F pro-
grams for multiple tracks. At this time, the bank I-F pro-
grams will have a total polyphony of six voices.
As for a combination, the insert/master effect routing
settings cannot be sent individually for multiple tracks.
The settings, parameter operation, and points of caution are
the same as for combinations. Refer to p.254 “Editing a com-
bination.”
Operation when transmitting/receiv-
ing control changes
In the same way as the bank I-A–I-E, G, g(0)–g(9), g(d), and
E-A–E-H programs, the sound of bank I-F programs can be
modified by incoming MIDI control changes CC#70–79, or
by operating the REALTIME CONTROL knobs in A-mode
or B-mode. (☞p.218 “TRITON-Rack operations when con-
trol changes are transmitted/received”)
In Program mode, you can write the program to save it in its
modified state.
CC#70: Sustain Level
“Sustain Level” (PROG 5.1: Ed-Amp, AmpEG page, PROG
5.2: Ed-EGs, EG1–4 pages).
This affects the EG that is selected for Filter EG (PROG
4.1: Ed-Filter 1/2 page) and Amp Level EG (PROG 5.1:
Ed-Amp, Amp 1/2 page).
CC#71: Filter Resonance Level
“Resonance to A,” “Resonance to B” (PROG 4.1: Ed-Filter,
Filter 1/2 page)
CC#72: Release Time
“Release Time” (PROG 5.1: Ed-Amp, AmpEG page, PROG
5.2: Ed-EGs, EG1–4 pages)
This affects the EG that is selected for Filter EG (PROG
4.1: Ed-Filter 1/2 page) and Amp Level EG (PROG 5.1:
Ed-Amp, Amp 1/2 page).
CC#73: Attack Time
“Attack Time,” “T Mod A” (PROG 5.1: Ed-Amp, AmpEG
page, PROG 5.2: Ed-EGs, EG1–4 pages)
This affects the EG that is selected for Filter EG (PROG
4.1: Ed-Filter 1/2 page) and Amp Level EG (PROG 5.1:
Ed-Amp, Amp 1/2 page).
CC#74: Low Pass Filter Cutoff Frequency
“Frequency to A,” “Frequency to B” (PROG 4.1: Ed-Filter,
Filter 1/2 page)
CC#75: Decay Time
“Decay Time,” “Slope Time” (PROG 5.1: Ed-Amp, AmpEG
page, PROG 5.2: Ed-EGs, EG 1–4 pages)
This affects the EG that is selected for Filter EG (PROG
4.1: Ed-Filter 1/2 page) and Amp Level EG (PROG 5.1:
Ed-Amp, Amp 1/2 page).
CC#76: Pitch LFO Speed
“LFO1–4 Frequency” (PROG 5.3: Ed-LFOs, LFO1–4 pages)
If LFO1–4 is selected for Pitch AMS1, AMS2 (PROG 3.1:
Ed-Pitch, OSC1/2 pages) or Common Pitch Mod. AMS
(PROG 3.1: Ed-Pitch, Common page), this will affect the
selected LFO.
CC#77: Pitch LFO Intensity
“Modulation AMS1 Intensity,” “Modulation AMS2 Inten-
sity” (PROG 3.1: Ed-Pitch, OSC 1/2 page)
“Common Pitch Mod. AMS Intensity” (PROG 3.1: Ed-Pitch,
Common page)
If LFO 1–4 is selected for these AMS, this message will
affect that LFO.
CC#78: Pitch LFO Delay
“LFO1/2, 3, 4 Fade” (PROG 5.3: Ed-LFOs, LFO1–4 page)
If LFO1–4 is selected for Pitch AMS1, AMS2 (PROG 3.1:
Ed-Pitch, OSC1/2 pages) or Common Pitch Mod. AMS
(PROG 3.1: Ed-Pitch, Common page), this will affect the
selected LFO.
CC#79: Filter EG Intensity
“EG Intensity to A,” “EG Intensity to B” (PROG 4.1: Ed-Fil-
ter, Filter 1/2 page)
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